Rogue One: Catalyst

Rogue One: Catalyst

Rogue One: Catalyst is, as the name might suggest, a tie-in novel to the standalone Star Wars movie, Rogue One. Written by James Luceno, I had high hopes for this novel, which were sadly not borne out by the end. Let me explain…

The story is basically that of Orson Krennic’s ambition to oversee the Death Star project, and details his machinations as he climbs the corporate ladder. Along the way, he makes use of a variety of people, notably Galen Erso, a former school friend (unlikely though that may seem), to advance his career. Galen is portrayed as that typical scientist-type who is so wrapped-up in his own work, he’s barely aware of his surroundings, including his own family. Which I thought was weird, based on his portrayal in the movie…

The novel begins while the Clone Wars are still in full-flow, though Galen is notably undertaking research far from the front line, attempting to synthesize kyber crystals to create a renewable energy source. He is soon wrapped up in the fight between the Republic and the Separatists, however, and it is Krennic who comes to his rescue. Over time, Krennic manages to seduce him into working indirectly on the Death Star project, as Galen researches the energy output of the crystals that is then weaponised by a separate team of scientists.

During this time, we do get to see the fascinating upheaval from Republic to Empire, which is something that I enjoyed. It’s interesting how quickly people seem to forget the Jedi – I’d always liked the alternative idea that is often hinted at within the Dark Times comics, that the idea of the Jedi carried with it such inherent danger that people chose not to involve themselves. Anyway!

Another strand to Krennic’s ambition is his use of the smuggler, Has Obit. Has is used to basically deposit weapons on the so-called Legacy Worlds – worlds that are the Star Wars equivalents of National Parks. With this, Krennic is able to claim the worlds were arming themselves against the Empire, and so their Legacy status is stripped from them – and the strip-mining of all natural resources can begin. Over time, Has sees what he is doing and, thanks to Galen’s wife Lyra, turns against Krennic and helps the Ersos escape Coruscant for good.

There’s more to it than that, of course, but the basic gist of the story is here. So what’s so bad about it? Well, first of all, Galen Erso has got to be one of the most infuriating characters ever to grace the pages of a Star Wars novel. He just annoyed me so much, I found myself wishing his bits were over so that we could get back to Krennic, who is actually quite interesting, for all his naked ambition.

While the book is a really nice marriage of the Prequel era and the Original Trilogy era, these ties are somehow relegated to the background in comparison with other Luceno novels. There was a nice sequence with Krennic and Poggle the Lesser, as he tries to get the Geonosians to construct the focusing dish for the battle station. Also, Krennic’s patron throughout the book is Mas Amedda, who comes across as slightly more competent in this book than, say, his Aftermath appearances. Tarkin also has a significant role, though he serves more as an obstacle to Krennic than anything – he doesn’t quite come across the same as he does in, say, Luceno’s Tarkin.

Which is a bit weird, as they’re by the same author, but I think herein lies the main gripe I have with the book: it feels a bit rushed. I can’t quite decide if I mean it feels like it was pushed out to meet a deadline, but the action sometimes feels entirely too glossed-over. True, a battle station the size of the Death Star is going to take years to build, which could be tedious if we had to have all of that detailed to us, but there were several instances where I felt we could have done with more detail. Whether all new canon novels need to conform to a certain page length, who knows, but I definitely felt like we could have benefited from a bit more.

So, while I did feel a bit let-down overall, there were still some good bits to be enjoyed. Mentions of the Corporate Sector and COMPNOR were particularly nice, as it’s always fun to see the old canon being referenced. And the way the novel straddles the Prequel and OT eras was nicely done, too. While the Jedi stuff could have done with more time spent on exploring how they just dropped out of the galactic consciousness, I guess this book isn’t trying to tell that particular tale.

I don’t think it really adds anything to Rogue One, save perhaps explaining Saw Gerrera’s relationship to the Ersos (which itself seemed a bit forced). Which brings me on to my final point – why can’t we have Star Wars novels for their own sake anymore? It feels like everything that has come out so far has been trying to tie into something, either a new movie or an appearance by a beloved character in a cartoon. Why can’t we just have a book for its own sake? Heir to the Jedi springs to mind as perhaps the only one, so far, and that was originally planned as the third in a loose trilogy prior to the abolition of the old EU. I’d love to have something that tells its own story, that can run to 500 pages or more, and just brings back some of the old Bantam magic. We still don’t really have that feel right now, I think, where the galaxy feels like a cohesive whole. Where’s the new canon’s Mara Jade, or Talon Karrde? The novels feel like they exist in some kind of weird vacuum, and I’m really not sure that I like it. Sure, plenty of them are good, but they’re good by themselves, with no real reference to the wider galaxy. The hipster in me is thinking, this is what happens when a franchise hits the big time, and everything has to have a mass-appeal. Whereas previously we could have novels that reference comic books, which reference other comic books, which reference other novels, which reference RPG material. There was an expectation that people reading these things would be immersed to the next level at least. Now everything seems to need only the films – the widest audience for this material – to rely upon. It’s just feeling kinda fractured, and I’m not sure how much longer I can keep myself interested in this way of doing Star Wars.

Anyway, I don’t mean to be quite so down on the book, or the franchise as a whole, but sometimes I do wonder what’s happening to the GFFA…

Star Wars new canon musings

Hey everybody!
It’s been a bit of a Star Wars week here at, and today I thought I’d talk about some various musings that I’ve been having about the franchise, with the new books and comics as well as thoughts on the new and up-coming movies… It’s going to be a ramble, but let’s begin!

Episode VIII: The Last Jedi
I’m really intrigued about what’s going to happen in this film. Something that I like the idea of is how VII mirrored IV so much, VIII might actually begin by imitating V before vectoring off really onto its own thing. There is a lot of footage in the trailer that shows the Resistance seemingly under attack, and I like the idea that this is an escape sequence much like the Battle of Hoth, where we may see a lot of similar story beats to the earlier movie.

We’ll also have a lot of Rey being trained by Luke and, if VII can be relied upon, Kylo Ren being trained by Snoke, which will somewhat follow the theme of Luke being trained by Yoda. But what else could we see? Some stories have been circulating that speculate the film starts with Leia meeting Snoke in a sort of meeting-of-minds, and she has to be rescued by the Resistance. I suppose the scenes that I thought of as an escape could equally be a rescue.

Leia is said to have an expanded role in VIII, which is excellent because she wasn’t in VII nearly as much as she should have been. But I guess we needed to see the next generation established. The idea that she meets with Snoke could be interesting as, like the rest of the world, I’m deeply intrigued as to who he is and how he fits into the world. I’ve said it before on this blog, and I’ll reiterate here: I don’t believe Snoke is somebody who we’ve met before, insofar as I don’t think he’s a clone of Palpatine/Anakin/Jar Jar, or whatever. I do think he’s a completely new creation, though he does seem to be known to Leia and Han, given their exchange before Han leaves for Starkiller Base in VII. I’m intrigued as to how he fits into the First Order hierarchy, as I would have expected to have seen him somewhere in Bloodline if he’s a major player. (Well, maybe I did!) Whoever he is, though, it needs to be fully explained in the movies, as the vast majority of moviegoers aren’t following the comics and novels and cartoons and everything else, and Disney knows this. The movies need to be able to stand on their own, and so I’m confident that we’ll be getting a full reveal in either VIII or IX.

Again sticking with the parallels with V, I think the climax will have an “I am your father” style explanation – though obviously, he won’t turn out to be Rey’s father or anything like that…

The mystery of Rey is, I think, perhaps the best thing to be coming out of the sequel trilogy so far. While I know plenty of people are rabidly chomping at the bit for anything, I think it’s being done really well in that I’m intrigued, but I find her interesting enough on her own terms that I don’t need to know who her parents were. Does that make sense? She’s great enough on her own terms, and I love that about her.

The new EU
This brings me on to something in general about the EU right now, though, which is a continuation of something I mentioned the other day. So far, we’ve only had two movies from Disney, but they’ve been movies that tell pretty decent stories, and which have succeeded in drawing me in to the universe they have created. Bear with me here…

The Force Awakens lands us slap-bang in the middle of the galaxy some 30-or-so years after Return of the Jedi, and while the interpersonal story of the main characters plays out pretty much okay, we’re left with so many questions about the state of the universe that we’re now in. Rogue One returned us to a more familiar time period, but has shown that there are so many questions that we thought we knew the answers to, but it turns out we barely scratched the surface there. While it can be irritating to a lore nerd such as myself to suddenly not know where we are in the universe, I’ve noticed that I’m actually starting to pore over all of the stuff that I can get my hands on once again, such as the Visual Dictionaries, and branching out into the YA books that I would usually avoid.

Basically, Disney has made me enthusiastic about Star Wars once again.

There is, however, a “but” coming…
Despite the fact that I’m now really intrigued by the new setting, including that for Rogue One, which has shown us a new way of looking at the time period of the original movie trilogy, I’m finding it difficult to stay enthusiastic about the new EU when I begin to devour the offerings we have that flesh out this landscape.

I’ve been particularly hard on the Aftermath trilogy (you can see exactly how harsh by checking out my blog reviews here, here and here!) However, I’ve been thinking again recently, and I’m fully prepared to completely re-evaluate those opinions in the light of anything we learn at the end of Episode IX. I think it’s very likely that there will be a number of things mentioned in passing during those books that will prove to be important later – not just the interludes, but a lot of the general story will likely make more sense when we’ve seen the whole trajectory of the sequel trilogy.

The rest of the novels that I’ve so far read from the new canon have been very much a mixed bag, with Heir to the Jedi being a particular favourite, but only Bloodline standing out for me as the absolute best and most important of them all so far. I don’t think I’ve read anything from the new canon that has managed to capture the feel of this new, Force-Awakened universe more than this book, and cannot recommend it enough to even the casual fans of the franchise. The others tend to fall into something of a “meh” category of general tie-in fiction that is really neither good nor bad, but overall you’re not missing anything by not reading it. This is in stark contrast to some of the Legends books, which often form important leads-in to films or provide important explanations of plot-points. Maybe the Disney films are too reliant on themselves to tell their story, leading to the novels not having a great deal to cover?

The comics from Marvel have, so far, been the single most consistent let-down in all of this, however. While a lot of my criticisms of the new canon can perhaps be explained away with “well, it’s still early days yet – Dark Horse and Del Rey had years to build up their lore!” (which is, incidentally, true), I feel that Marvel in particular has so far been playing so fast and loose with Star Wars in general, that it’s really wearing me down as a consumer. At the time I’m writing this, I’ve read probably half of the total content they’ve put out, and cannot think of a single issue or series that I can put my finger on and say, “that was great”. The Vader ongoing series was probably the closest we get to that, though I have only read half of it up to this point. The general ongoing series had a fantastic issue #1, and went downhill so quickly it was unbelievable. We’re now being treated to Han and Leia racing around a Star Destroyer as serious wartime adventure, and I just can’t believe they got rid of stuff like The Wrong Side of the War and replaced it with this!

First world problems, for sure, but I think we deserve better stories than this dumbed-down junk. The time period of the original trilogy was a period of civil war, according to the opening crawl of the movie that started it all – how about seeing some actual war stories, rather than this inane rubbish about three people hijacking a Star Destroyer, or the ongoing boredom of Han Solo’s not-wife.

For me, part of the problem with the ongoing series from Marvel is the fact that there doesn’t seem to be a plan for the story these books are telling us. The time period between IV and V was always set at three years, in-universe, and was replete with “just another story” about Luke and the gang going up against the Empire, having a series of narrow scrapes, but always winning in the end. Sure, that’s the adventure serial type of story that inspired the movie in the first place. But when you just have endless one-shot storylines that have that “and they all lived to fight another day” ending, it’s kinda pointless. One of the main selling-points for removing the expanded universe as it was, was that they could start to tell more cohesive stories in the EU, but I’ve not yet seen any real evidence of that from Marvel. Yeah, the monthly books have had some nice interlocking connections, but nothing important has happened, and it’s all just much of the same junk that Marvel pumped out in the 80s.

I have been expecting a coherent narrative across the comics that ties in with the films, and any other novels that take place at the same time period. So far, the only consistencies seem to be that Dr Aphra has shown up as Darth Vader’s groupie, and Han Solo’s annoying not-wife seems to have grafted herself on as Leia’s informal attache. We don’t really have a stable of characters that Marvel has created, including villains for the rebels to go up against, so it all feels like so much diaphanous rubbish.

Are you familiar with the Republic ongoing series from Dark Horse, which ran for over 100 issues and spanned the period from Phantom Menace well beyond Revenge of the Sith? The series had a somewhat bumpy beginning as it followed Ki-Adi-Mundi on a variety of throwaway adventures that meant nothing in the grand scheme of things, before it introduced the Jedi Knight Quinlan Vos and his erstwhile padawan Aayla Secura. While their adventures were interrupted with other issues, the series really picked up steam when John Ostrander and Jan Duursema were telling the story of these two, and a whole cast of recurring faces began to pepper the pages, to the point where now, if you read the whole lot, you get a wonderfully cohesive narrative arc that actually serves as a counterpoint to the prequel movies themselves.

My point is, Star Wars comics can be better than this! First of all, we don’t need big-name movie characters in Star Wars books in order to make them interesting, not least because those stories tend not to have any real sense of danger to them. We know Leia is always going to survive any and all stories set between A New Hope and The Last Jedi, because she is in those films. Showing Leia at death’s door in the Annual #2 had absolutely no sense of drama to it, because we know she’s fighting fit again in Empire. So why not focus on a larger cast than just the movie three, and put them in danger, instead?

It would take no imagination to come up with stories involving other rebel agents – agents in the mould of Cassian Andor, for instance – who might well serve alongside Luke on a dangerous mission to uncover a supply train that the rebels desperately need – medical supplies, whatever – and then put that rebel agent in the spotlight for the next arc where we follow a commando team on an undercover mission into an Imperial arms depot. Maybe that agent survives, to become a more regular fixture in the ongoing series, or maybe he dies heroically, and his protege makes it back to Yavin with the news, whereupon she can become a more regular character. I came up with that in the about-fifteen seconds it took to type. There are more people in this universe, and more stories to be told, than the adventure of Han and Leia’s race around a Star Destroyer to see who can be called captain of the bloody thing!

I’m beating on the comics quite badly now, and I’m very aware that there are still plenty of these books that I’ve not yet read. I think it would be hilarious if the next arc I pick up is the best thing I’ve read from the new canon since Bloodline

This blog is already getting pretty hefty here, and the tone has been somewhat whiny in parts, so I think it’s time to draw it to a close. In conclusion, then, I think the movies are doing a tremendous job of setting up a new world order, of sorts, and I’m incredibly intrigued by how they’re managing to change the Star Wars universe for the better. The novels have been hit and miss, though everyone should head out and read Bloodline if they haven’t already done so. And while I’ve yet to read a new comic that I like, I remain optimistic that there may be an arc out there that I can finally say, that’s fantastic!

Please feel free to share your own thoughts in the comments section below, I’d love to get other peoples’ opinions on this! We’ve been in the new EU for almost three years now, and I’m interested to see what you fine folks make of the state of things!

Star Wars: Thrawn (a review)

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Finished the new #Thrawn today! #StarWars

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At the weekend, I finished reading the latest new canon Star Wars novel, Thrawn. I know that this is becoming a theme for me with new canon novels lately, but if I’m being completely honest, I was not a fan.

The storyline follows Thrawn’s climb through the ranks of the Imperial Navy, starting with him attending the academy. Thrawn in school? Urgh. True, it isn’t quite the true Hogwarts experience, but… I mean, seriously?

Okay, so the story immediately starts with a basic retelling of the Mist Encounter short story written for the Adventure Journal, which details how Thrawn was discovered on an abandoned planet close to the border with the Unknown Regions by Voss Parck. Captain Parck returns here very briefly, as he discovers Thrawn and brings him to the Emperor as “a gift”. Turns out, Thrawn met Anakin Skywalker on some nebulous adventure during the Clone Wars, and the Emperor, believing his power to originate somewhere outside the known galaxy, wants to keep Thrawn close.

Thrawn is given the cadet Eli Vanto as a sort of translator/aide as the two go through the naval academy, graduate, and begin their career. We follow the two as they pursue smugglers and pirates, and tangle with the High Command as Thrawn inevitably shows up his superiors. In the middle of all of this, we also follow the career of Arihnda Pryce, who hails from the Outer Rim world of Lothal but travels through the Coruscant elite until she has enough dirt on high-ranking Imperials that she basically forces Tarkin to give her the governorship of Lothal. The character is one I’m not familiar with, though was convinced I’d heard the name somewhere – turns out she’s from Rebels, where I believe she’s kind of a badass. I still haven’t started watching that show yet, though. Her character development is a little jumpy as a result of trying to get her from A to B, though that is still symptomatic of Thrawn also, who sometimes feels like he went through years of growth in the space of a chapter.


Thrawn has been brought out of Legends and into the Star Wars canon proper thanks to his use in the Rebels cartoon. While I’m not against this fundamentally, as I’m all for keeping the classics alive, I’m a little dismayed that he doesn’t seem to be the same guy that I came to know and love from Heir to the Empire all those years ago. True, we have the art thing going on, and he’s still in command of the Chimaera (a point at which I actually cheered), but he doesn’t feel like the same guy who is in control of everything. Of course, this book tells his origin, but this brings me to the point I was getting at in the video above – did we need this story? His inclusion in Rebels seems to indicate that yes, we do, but for years we’ve pretty much made do with the couple of short stories by Zahn that show specific points in Thrawn’s life, and that’s been fine. Do we need to see Thrawn at school? Do we need to see him as Lieutenant, Commodore, Captain, and the like? I don’t think we do.

Something that I always appreciated about Thrawn as a character was the element of mystery that was involved there, how an alien had risen so high in the ranks of the largely xenophobic Empire. I mean, sure, we had a lot of snippets of info dropped throughout the years, but those snippets felt like they were a part of his legend, and that was enough. I also really enjoyed the fact that we never had a point-of-view scene from him – everything was always told through the filter of, primarily, Captain Pellaeon. Now, we’ve seen behind the curtain to some extent, and I’m not sure I want that.

Speaking of Pellaeon, his replacement appears to be Eli Vanto, who probably has the most character development of any of the characters. Vanto goes from a supply cadet to being on the frontline, and moves from being resentful and almost jealous of Thrawn’s career advancement, to content at being where he is, and improving in tactical nous and leadership. The novel ends with an epilogue that kinda confused the hell out of me, though, where Vanto suddenly appears in the Unknown Regions making contact with the Chiss Ascendancy on the recommendation(?) of Thrawn, who is now Grand Admiral. It seemed to come out of nowhere, and I have the strong feeling that there is going to be a sequel of some sort that will follow up on this. The sad thing for me, then, is that I don’t know if I’d actually want this…

This is really the biggest issue for me with this novel. As a book, it was fine, I think it was a fine story that is actually pretty enjoyable. The biggest problem for me is the fact that it’s about Thrawn. If it was any other character, I think I would have been really interested all the way through. But the baggage that I have from Heir to the Empire fandom really gets in the way, and I find that I really can’t get past that. Heir to the Empire will forever be among my top three (if not the top) Star Wars novels ever written, and this unfortunately just doesn’t really come close.

Easter 2016! part two

Hey everybody!
It’s part two of my Star Wars Easter! Always an exciting time, as I feel more of a connection to the original trilogy and stuff. Indeed, watching them again this year, more than any other time in recent memory, has almost felt like re-setting myself as regards Star Wars. Let me ramble for a bit…

I’ve made a few posts on this blog that have had some inchoate rambling about the state of Star Wars today, and the loss of the wonderfulness that is the expanded universe. I’ve been reflecting on this again recently, largely following my reading of A New Dawn I suppose, which is a tremendous book, and I think if I’d read it two years ago when it was first published, I would likely have had an entirely different feeling towards this. See, that book is a fantastic way to set up this new publishing era, and really lives up to its meta-intent of providing us book fans with a new dawn of Star Wars storytelling. I think I’m going to read Tarkin next, though have already read Heir to the Jedi of course, so at least two of the first three novels to come from the new story group have been absolute triumphs.

It’s not really tempting to think of myself as some kind of dispossessed fan, though I know I have bemoaned the loss of things like the Thrawn trilogy. I’ve always tried to be open-minded about these changes, though having grown up with so many of these books, I always found it a bit difficult to let it go, I suppose.

This Easter weekend, I read a couple of stories from the now-Legends continuity, and my quandary has begun to lessen as a result. I’ve already talked about The Force Unleashed, of course; well I followed those two up with the Agent of the Empire series from comics great John Ostrander!

Star Wars Agent of the Empire

The first book began in December 2011, the sequel following in October 2012. At five issues each, they tell the adventures of Jahan Cross, the Agent of the Empire, as he works in the shadows for Imperial Intelligence. The series was sold as the Star Wars version of James Bond, and the first book in particular really shows us this, as we see Cross meet with Armand Isard (M, in this instance) and Alessi Quon (Q, if you will). I’m something of a James Bond fan, so thought these aspects were pretty hilarious, but I can see that some folks might not appreciate them.

Iron Eclipse follows Cross to the Corporate Sector, where he foils an attempt by Iaco Stark to take over the galaxy’s droids and ultimately topple the Emperor. The story is actually hilarious, though I for one appreciated the throwback to the Republic comics series, most notably the Stark Hyperspace War series. Ostrander was a long-time writer for that series of course, and it was good to see the links made that show the universe to be more cohesive. The series also features Han and Chewie in what might look like a gratuitous cameo, though it ties in nicely with Brian Daley’s novels, and ultimately I can’t really fault their presence.

The second book, Hard Targets, is another interesting one, as we see Cross working almost in a diplomatic capacity when the current Count Dooku (not Christopher Lee’s character, his nephew) is assassinated and Serenno is trying to elect a regent. There are some truly awesome parts to this story, not least looking at the inner-workings of Serenno (Count Dooku is one of my favourite Star Wars characters ever), but also the beginning of the story, on Alderaan. These comics are set before the films, so Bail Organa is alive and well. It’s always been a huge bugbear for me, but there are barely any stories that take place on Alderaan, which I have always found so frustrating as a Star Wars fan!

Jahan Cross is “the Empire’s scalpel”, and while there are plenty of stories that involve agents of the Empire – heck, Mara Jade can be seen almost as the same character – there’s something really interesting about this series that made me really eager for more. There’s a tantalizing cameo from Ysanne Isard in the second book that got me thinking about the possibility of seeing the two paired up for a mission, for instance. There is so much you could do with a character like this, it’s a shame that we’re unlikely to see anything more from him. But I guess anything’s possible.

Bounty Hunters

In addition to these, I also read Dengar’s story from Tales of the Bounty Hunters. It’s an anthology I’ve mentioned before, of course, but while I consider the Zuckuss story pretty decent, and IG-88’s just hilarious, I don’t really remember that of Dengar. Well, what a surprise that was!

Dengar is the bandage-wrapped chap immediately to the right of Vader in the above picture, but because of the editing, you don’t really get to see all that much of him in the film. His backstory is that he’s a Corellian swoop bike rider who suffered a disfiguring accident during a race with Han Solo, and was “rescued” by the Empire, who turned him into an assassin without a conscience. It sounds pretty badass, and should be cool, but his story in the anthology turns into a love story as he rescues a dancing girl who turns out to be a techempath, who feels a connection with him and basically turns him human again. They wind up getting married – and Boba Fett is the best man. Seriously, I’m not making this up.

There is an annoying trend among the stories in the Tales of the Bounty Hunters to make too much of an effort to entangle Han Solo in each of the hunters’ pasts, and while Dengar is perhaps not the worst offender (Boba Fett has the most arduous story in here, and I’m not going to read it again in a hurry), it is so annoying how he’s portrayed to be out for revenge, and tries to imagine each target is Han whenever he kills them. Why can’t these bounty hunters be on the bridge with Vader because they want the money? I mean, that’s what I imagine most bounty hunters are in the profession to do, earn money. Surely the ruthless side of these hunters needs to be emphasized, and not trying to make it all tie into a neat little bow all the time?

For me, Dengar’s tale summarises a lot of how I feel about the wider expanded universe right now, I think. Sure, there are some truly stellar pieces of fiction in the Legends stable, but for the most part – particularly the Bantam era, actually – we see a lot of this sort of thing, where stories are a little weird (with the techempath stuff), have some awesome set-up (Dengar as a conscienceless assassin for the Empire) and take us to the epic locations of the original trilogy (Cloud City and Jabba’s Palace), but ultimately we get some weird little story that feels compelled to explain every nagging detail and make everything link up to everything else.

Which brings me back to what I was talking about at the beginning of this blog, really. When they’re good, the Star Wars stories I grew up with were really, really good. Increasingly, however, I find them for the most part to be fairly bland, a little too outlandish, or downright silly/annoying. Both the Jedi Academy trilogy and Darksaber spring to mind as being in this latter category, despite having been a big fan of them all those years ago. There are still a fair number of Prequel-era stories I’ve not talked about here, but love very dearly, but I think I’m getting to that point now where I can say, yeah, maybe it is time for a change. Maybe we should take what was good about the EU, remove the garbage, and make way for what could be a much more joined-up way of storytelling.

I’m definitely rambling now, so it’s probably time to finish up this blog. But suffice it to say, A New Dawn has really rocked my world, and made me think that perhaps, we could be in for an even more interesting Star Wars history than we’ve had throughout the 90s and 2000s…

Star Wars: A New Dawn

Oh my goodness me, this book was amazing!

Having picked this up almost a year ago, I’d been putting off reading this book for so long, almost entirely because I’ve not been all that interested in the Rebels cartoon, and the cover makes it pretty clear there are some strong ties to that. However, I finally started it at the weekend, and it hooked me quite early on.

Set during that nebulous timeframe between episodes III and IV, we follow Count Vidian as he inspects the mining planet of Gorse, to see if he can make improvements in the Empire’s logistical chain. He is accompanied by Captain Rae Sloane, who was a central character in Aftermath. On the planet, he is stalked by the mysterious Twi’lek, Hera, who is trying to find out what he’s up to for her own nefarious purposes. We also meet Kanan Jarrus, apparently a down-on-his-luck drifter who works piloting explosives for the mine workings. So that’s the basic premise, I guess. It doesn’t really sound all that exciting, but don’t be fooled!

The book acts as a prequel to the Rebels cartoon, and due to both this and its placement in the timeline (though if I’m honest, I’m not entirely sure where it’s supposed to take place, as there isn’t much specific history in there) I expected there to be the usual trite foreshadowing, as we see the big bad Empire at work, ad nauseum. In actual fact, while there are indeed a few references – in particular, to the Empire breaking up moons for the minerals contained therein that presages the original Death Star design – the narrative doesn’t make these things a huge focus as other books tend to do. In general, the sense of history is quite neatly described, and I think that, more than anything, is a huge thing in its favour.

John Jackson Miller is no stranger to the GFFA, of course, having written the long-running Knights of the Old Republic comics and the Knight Errant comics/novel, the Lost Tribe of the Sith stories and the full-length novel Kenobi. I thought it was nice to have an established Star Wars author at the helm of the first novel to be published under the new continuity – not that we have any massive departures from what can be considered “the norm” (much like Heir to the Jedi, really).

There is an episodic feel to the book, not really helped by the fact that the chapters are really quite small. Maybe it was just me, but I definitely felt it harkened to JJM’s comic-writing career, where story would be bite-sized to fit into individual issues. It doesn’t really detract from the overall feel, though there was a moment in the rough middle where I felt the book appeared to be winding down to a conclusion, then just picked up the pace again. It felt weird, but nothing major.

I think more than anything else, this book has made me interested in the characters from the cartoon series. There’s a Kanan comics series being published by Marvel that I’ve not been all that interested by, but I’m now going to buy in trade paperback, and I’m even looking into the DVDs for the show. If you’ve read my earlier post from when the cartoon was just kicking off, you’ll see just how much of a deal this is for me!

This is the firth”new” Star Wars novel I’ve read now, and while not as good as Heir to the Jedi, it’s certainly a solid second place, ahead of Lost StarsThe Force Awakens and Aftermath.

In short, this is definitely worth picking up!

Musings on Star Wars

Hey everybody!
Easter is fast approaching, which means I’m turning my attention to Star Wars once more – I think I’ve mentioned this before, but Easter is the time of year above all others when I get really nostalgic for the franchise, and for years have made it a tradition to watch the original trilogy movies over the long weekend. This year will be no different, of course, though I was reflecting this morning, and came to realise that Star Wars has been somewhat absent from my life since the fuss around episode seven around Christmas.

There’s nothing much to read into this, as I’m not losing interest in something that has been such an immense part of my life for so many years, but it just got me thinking about all the new stuff we’ve got coming out nowadays, and how out-of-touch I feel generally about it all. I’ve talking about feeling a bit meh about the new releases in a previous blog, and it seems like that has continued as I’ve focused on other stuff, notably getting into the whole New 52 thing from DC Comics (ironically, just before they launch their Rebirth thing that will have a further impact there!) as well as the ubiquitous Warhammer stuff.

All of my Star Wars novels are contained within three bookcases opposite my bed, and seeing them there while thinking about getting up is what prompted my reflections, I guess. In years gone by, I would be salivating at the prospect of the upcoming Star Wars novels for any given year. Since the reboot happened, that has almost entirely fallen by the wayside, as I’ve lost almost all touch with news of what’s coming up, and was totally surprised to discover there are in fact only three novels that seem to be upcoming all year according to the release schedule – Bloodline in May, Aftermath: Life Debt in July, and a tie-in to the upcoming Rogue One movie in October.

However, looking at that linked schedule, there is a preponderance of young-reader books, which has gotten me thinking: is Star Wars being pitched at a much younger age bracket nowadays? I know I’m getting older, sadly, but it surprised me to see how few “adult” novels there are nowadays. Not trying to start some kind of conspiracy here of course, but it stood out enough that I’m curious!

At least I can kinda relax, that I’m not as behind the times as I’d thought – I wasn’t aware of any more novels coming out because none are coming…

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It's been too long since I last read a #StarWars novel!

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I’m going to start reading A New Dawn today, anyway, which I’ve been thinking about for a while, but despite having bought the book almost a year ago, I’ve been a bit reticent to read it knowing the two folks on the cover are from the Rebels cartoon, which bore no interest for me when it was first announced, despite having John Jackson Miller at the helm, whose Knights of the Old Republic comic series I really enjoyed. A New Dawn was the first novel to be published in the new canon, so there is quite a bit that interests me in how it’ll play out. I really enjoyed Heir to the Jedi, of course, so I’m going to just have an open mind and see what happens! There will, of course, be a follow-up to this once I’ve read it!

I’ve rambled on for quite a bit now, anyway, and I’m not entirely sure what I was intending to say when I started this. At any rate, Easter is coming, and I’m back reading Star Wars stuff! Happy Saturday, everyone!

Procrastination, part two

Well folks, the last weekend before my exam has been and (nearly) gone, and my revision is still near-nonexistent! Basically, I don’t exam well, so the sooner this is over, the better!

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I *should* be revising…

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What I have been reading, of course, is Star Wars stuff! I finished reading Darksaber yesterday, which I’ve been off-and-on reading for the past fortnight or so. It’s a book that I remember enjoying a lot when I first read it all those years ago, but as with a lot of these novels lately, I’m finding I’m less impressed with it.

Last year, I read the Jedi Academy trilogy, which was a bit of a let-down, too. Following that trilogy, we have the so-called ‘Callista trilogy’, written between Barbara Hambly and Kevin J Anderson. Children of the Jedi, by Hambly, sees Luke take on the re-activated superweapon Eye of Palpatine, during which time he falls in love with the disembodied spirit of former Jedi Knight Callista Ming. The weapon is destroyed, during which Callista manages to re-inhabit human form, though as the expense of her ability to use the Force. The book is about as dire as it sounds, thoughI seem to remember there are one or two moments that were interesting, but otherwise it doesn’t really warrant the effort to read it.

Darksaber forms more of a sequel to the Jedi Academy trilogy, as we see what some of the trainees have been up to over the past year or so. Written by Kevin J Anderson, the plot feels a bit more galaxy-spanning than his previous trilogy – indeed, it feels a little more ambitious overall. In addition to the Jedi trainees, we also get to catch up with Admiral Daala, who did indeed survive the events of Champions of the Force, and Captain Pellaeon, who has been wandering adrift since Thrawn’s defeat at Bilbringi. Two further storylines see the Hutts building a superweapon, and of course, Luke and Callista continuing their story trying to find Callista’s powers.

As typical for many of the Bantam novels, movie references are heavy and innovation tends to be weird. I mean, we revisit many of the movie locations, often on the slimmest of reasons (we even get to meet up with the Wampa from Empire Strikes Back again!), while new places include Dorsk 81’s home planet where everyone is a clone, and a luxury resort carved into a comet that is primarily used to mine water. Movie references can often be nice and grounding when you read tie-in material like this, but in many of these books the references are contrived and gratuitous, and can sometimes feel downright lazy, if I’m totally honest.

I actually feel really bad for criticising this book, as I really liked it back in the day, but the simple fact remains that it just isn’t all that good as some of the more serious Star Wars fiction. It definitely feels like a kids book that is taking itself a little too seriously at times. Don’t get me wrong, I’m not bashing on kids books, but when a book is sold as adult fiction, I expect it to be pitched at an adult audience, even if the subject matter is Star Wars. The biggest thing on this is Luke and Callista. Something I found quite strange is how they seem to agree that their relationship isn’t worthwhile unless Callista has her Force powers, which comes across as elitist and weird, basically. Eventually, Callista discovers she can use the dark side, which just isn’t worth it, but she decides it might be best if she leaves Luke rather than being reminded of what she used to have. The whole storyline plays out as perhaps the worst sort of soap opera. I remember reading an article that stated Lucasfilm had decided Luke and Mara would end up together, but because the Bantam novels weren’t released in any sort of chronological order, stuff like this would happen as other women were brought into his life. In this respect, Anderson has a bit of a rough time trying to resolve the situation set up in Children of the Jedi, after Lucasfilm had decided Callista would not be the woman for Luke.

Kyp Durron is back, Anderson’s pet character, and while he isn’t quite so insufferable in this book (largely due to the fact he isn’t in a large portion of it), he still gets to brood wonderfully and rubbish like that. Daala is her usual fearsome-yet-ineffective self, as she tried to unite the Empire, kills a load of the squabbling warlords, but still manages to balls-up the whole thing.

The title story involves Durga the Hutt and his efforts to create a superweapon with which to terrorize the galaxy. It’s actually pretty hilarious, and while some of it is a bit too simplistic, like it’s more suited to a children’s book than anything else, but has the distinction of seeing the first ever Rebel speaking-character from the movies being killed off. Remember General Madine, from the Death Star II assault briefing in Return of the Jedi? Well, he gets killed. The character of Durga the Hutt was created for this novel, where he isn’t really much more than a pantomime villain, but he was further developed during AC Crispin’s excellent Han Solo trilogy, where the Hutt storyline of that book series is just wonderful. We also get to meet the Imperial Engineer, Bevel Lemelisk, who created the Death Star project and had been introduced primarily via the West End Games RPG.

Speaking of the RPG, I also read the Barbara Hambly short story Murder in Slushtime, from the Adventure Journal. The story involves Callista among a whole load of Gamorreans, following the events of Darksaber. The Adventure Journal has got some really great stuff, and not just the short stories – there are articles that provide settings for RPG campaigns that are really significant, as they were subsequently used by the novelists. Murder in Slushtime is a kinda throwaway story, which is sort of a murder-mystery that shows us a whole load of Gamorrean culture that I’m not entirely sure we ever wanted to know! This is only increased by the RPG article that follows. Who knew Gamorrean boars wrote love poetry when they felt all romantic during the wintertime?

The Callista storyline is ‘resolved’ in Planet of Twilight, which is perhaps the second-worst Star Wars novel of all time. I haven’t actually read it in decades, but it feels like a collection of shorter stories, or perhaps more like a short story that has been elongated beyond all business, with another couple of stories stuck on to try and mitigate the fact. Luke searches for Callista, but when he actually finds her, they merely agree to go their separate ways from afar – I mean, they don’t even converse, they just nod to each other from across a valley or something. It’s generally unsatisfactory, but there we have it.

I should probably return to the revision…or, at least, try to…