Star Wars: Master & Apprentice (a review)

Hey everybody,
It’s time to catch up with some book reviews! It’s been a few weeks now since I finished reading Claudia Gray’s prequel-era novel, Master & Apprentice, so let’s take a look between the covers and see what it’s all about!

The book is set roughly eight years prior to The Phantom Menace, based on Obi-Wan’s age of 17 when the novel begins. The book is very much an Obi-Wan and Qui-Gon adventure, borne out of Claudia Gray’s wish to write about the Jedi Master, although we do get quite a few flashbacks into Qui-Gon’s youth at the Jedi Temple, and so we also get to see Dooku in his Jedi prime!

It all starts on Teth, where Qui-Gon is investigating some criminal activity involving the Hutts. Along the way, we see that he has a fairly difficult relationship with his padawan, Obi-Wan. Upon returning to Coruscant, Qui-Gon is offered a post on the Jedi Council, and decides to take some time to deliberate upon it. Meanwhile, he is dispatched to Pijal at the express request of another of Dooku’s former padawans, Rael Averross.

Averross has been acting as regent of Pijal while the crown princess comes of age, and with the announcement of a new hyperspace corridor running through the system that would increase trade, things on the planet are becoming heated. The Czerka Corporation has a significant presence there, also, meaning that corporate greed is playing a healthy part in the political situation. Qui-Gon and Obi-Wan investigate some terrorist activity that is threatening the upcoming coronation of Princess Fanry, during which time Qui-Gon receives troubling visions of a possible future. At the coronation, Fanry is expected to sign over much of her sovereign power to Czerka, in a treaty that was partly negotiated by Averross in an effort to bring Pijal into the wider galactic community. Fanry, it turns out, has other ideas, and leads something of a revolution against Czerka’s authority. She is only brought to justice when her confidance later rebel against her, too, allowing the Jedi to bring the conflict to a somewhat peaceful conclusion.

Qui-Gon turns down the offer to join the Council, choosing instead to continue his tutelage of Obi-Wan.


Where to begin.

I really wanted to enjoy this book. Disney hasn’t really spent a lot of time or effort on the prequel era, so I thought it was interesting to get a book featuring such a prominent character as Qui-Gon. I had also seen some comment on the SW facebook group I’m in that mentioned how the book delves into the whole issue of Jedi prophecy. So I was excited!

We do get to learn something of Qui-Gon’s history with the prophecies, which goes some way to explaining his belief in Anakin in Episode I. I wouldn’t say that it felt shoe-horned into the book, but it didn’t seem to feel quite in the right place, unfortunately – seeing so much of the book in flashback felt a bit jarring, to me, and I found myself wishing that it had been handled a little differently.

Something else that I wish has been handled differently was the relationship between Qui-Gon and Obi-Wan. Some of it seems to be put down to the fact that Dooku was a little stand-offish as a Master, and I thought it was an interesting point that Jedi apprentices have something like regular school, and come “home” to their Masters. I suppose I just thought the Master/Apprentice relationship was firmly exclusive once a padawan was placed. But no!

Qui-Gon and Obi-Wan seem to have the kind of relationship that a father has with a child whom he does not properly understand. Qui-Gon was forever worrying that he wasn’t doing right by Obi-Wan, while Obi-Wan was forever worrying that Qui-Gon meant to abandon him and felt like he had been held back in some aspects of his training. It all felt a little bit too much – like, this wasn’t the relationship that I wanted to see them have! So that was a bit sad. I did understand where a lot of those emotions were coming from, and it was well-written in that I could really imagine this would be how two humans in this situation would react. It all seemed to stem from Qui-Gon’s offer of a place on the Council, and I was a bit flummoxed as to why that would even come to pass. Was it meant solely to pay service to Obi-Wan’s line in Episode I? Hm.

At least there are eight more years’ worth of stories that can be told with the two of them improving their relationship and working more on the same team.

I thought it was weird that the sort of major plot point was all about opening up a hyperspace corridor, like the galaxy is still being explored. I mean, Light of the Jedi is only about 200 years before this book, and that novel seemed to show the galaxy as a big fumble in the dark. But by the time of TPM, people are merrily jetting about like it’s no big deal? Odd.

Rael Averross is depicted as a Jedi Knight who has gone native, and is depicted as a fairly interesting opposite to Qui-Gon. The fact that he sleeps around and takes drugs aside, I did find him irritating after a while – if he weren’t meant to be a Jedi, I think I’d be fine with him. But he is, and has been wallowing in self-pity after blaming himself for getting his padawan killed. His assignment to Pijal is seen as something of a remedy for that self-pity, in that he is given Fanry to replace Nim Pianna. That whole situation seemed to contrived and far too weird, but the fact that it served as a significant plot hook did begin to grate after a while.

Oh yeah, and Dooku has already left the Order? I thought it was canon that he had left when Qui-Gon was killed, but maybe I’m getting confused.

The book is definitely interesting, and definitely worth a read. I think I found it far too disappointing that Qui-Gon and Obi-Wan were constantly either treading on eggshells or else being passive-aggressive to each other, and Rael Averross was far too irritating and unsympathetic as a character – two points that eventually pulled my enjoyment of the book down. A somewhat minor point, but it also read a bit more like the sort of YA fiction along the lines of Lost Stars, rather than the more regular adult fiction such as Bloodline. Which is a shame, though I suppose I could be taking this far too seriously!

It’s okay, I guess, but it’s not brilliant. I think it possibly suffers quite a bit from being the next book that I read after Light of the Jedi, though. That book was really good…

Star Wars: Light of the Jedi (a review)

Hey everybody,
Happy Star Wars day! Yes, we’re just about still on May 4th here in the UK, so what better way to celebrate than with a look at the first novel in the High Republic series, Light of the Jedi? What better way, indeed.

The High Republic era is a new departure for Star Wars storytelling, taking place in the centuries prior to The Phantom Menace. Crucially, this time period is now the oldest canon storytelling there is – forget about Knights of the Old Republic, forget about Tales of the Jedi, forget about the Darth Bane trilogy. None of that happened. The oldest we go now is here, 232 years before the Battle of Yavin. It’s a point that I need to reiterate, as it’s something that I constantly had to remind myself of while reading it.

The story is basically quite straightforward, following a group of marauders from the Outer Rim, the Nihil, who are able to travel through hyperspace using random “paths” as opposed to the established hyperlanes. It turns out that these paths are divined by an elderly member of the San Tekka clan, who is somehow able to see her way through hyperspace from one destination to another. She is kept alive for the express purpose of furthering the reaving of the Nihil, and her efforts are put to such devious uses by Marchion Ro, the so-called Eye of the Nihil.

During a raid, one of the Nihil ships gets in the way of the freighter Legacy Run, and the two collide; the Legacy Run, already an old vessel, breaks apart, and random parts of the ship come out of hyperspace, mostly over the agri-world of Hetzal Prime. A group of Jedi are nearby, seeing to the final preparations for the opening of the Starlight Beacon, an effort by Supreme Chancellor Lina Soh to reach out to the Outer Rim Territories and provide aid and cultural support. The Jedi begin a rescue operation to make sure the people of Hetzal Prime are safe, and launch an investigation into what happened.

The basic plot plays out much as you’d expect, with political infighting among the Nihil as Marchion Ro consolidates his power, and the Jedi managing to save the day with getting to the bottom of what happened, helping to defeat a portion of the Nihil fleet (though everyone involved thinks the Nihil were wiped out in their entirety). In some respects, it’s quite a “safe” plotline – there’s a disaster, but the Jedi help to save they day, although the big baddie hasn’t been completely vanquished so that we have fodder for more in the series. It’s a tried-and-tested formula for Star Wars (and others) to use.

I think what impressed me most about this book was the feel of it, though. It was a constant gripe for me about the Darth Bane novels taking place 1000 years before A New Hope, and yet they felt no different in time to the prequel trilogy. Light of the Jedi feels like it is a story that is set decades before The Phantom Menace, maybe even the centuries that it actually purports to be. The Outer Rim is an unknown, frontier section of the galaxy, and there are still people going out there as prospectors, to escape the drudgery of the Core and strike out on their own. The Starlight Beacon is an attempt to make the Territories feel a part of the Republic, something that – even though Shmi basically says as much in Episode I – I’d never thought would be needed.

The importance of hyperspace, and the idea of finding new routes to connect worlds, is a big part of the story, and I was a little bit overjoyed when it turned out that the San Tekkas are involved here. Lor San Tekka is, of course, quite an enigmatic figure in the lore, considering such a brief appearance at the start of Episode VII, and clearly his family has something of a celebrity standing in the galaxy, based on their history of hyperspace prospecting. The scions of the dynasty here are Marlowe and Vellis, a gay couple that doesn’t entirely feel forced into the narrative – I mean, why wouldn’t they be? They live on Naboo, in the Lake Country, so there are tantalizing glimpses here of a link to Padmé, and thus Leia – something so small, for sure, but I really hope that we can explore this link in greater depth as the canon is fleshed out further.

The Jedi are sort of informally led by Avar Kriss, the blonde front-and-centre on the cover. She’s an intriguing character, said to experience the Force as a song. Her friend Elzar Mann sees it as a bottomless ocean. The way that the Jedi are said to feel, and use, the Force throughout the book does put that sort of distance between this and the movies, as it feels like an age of experimentation and so on. The Jedi Council is a thing, and the Temple on Coruscant is there, but it just feels older, somehow. Elzar Mann is renowned among the Jedi for his unorthodox uses of the Force, as he attempts to discover new ways and techniques. It’s a bit vague, though he is credited with coming up with the Jedi Mind Trick (referred to as the Mind Touch in the book). It’s intriguing, as it seems like the Jedi are still learning the depths of their powers.

However, it’s not all new though. Yarael Poof has a fairly big role as a diplomat in the book, and both Oppo Rancisis and Yoda have speaking parts. Of course, Yoda would be a sprightly 600 year old here, and he’s currently on a sabbatical from the Temple, so I guess things are wide open on what we can expect to see here as the series continues!


As the first book in the multi-platform High Republic series, I thought this was a truly great introduction to the era. There is a lot going on, and it’s very interesting to see how things are different, and yet not that far away from the Star Wars that we know. We do have some establishment of what’s going on in the galaxy, but I think this has a lot of potential to be grown as time goes on. There are novels across the adult, young adult and younger readers branches, as well as an ongoing comics series that I’m aware of so far, and they apparently all intersect with one another to varying degrees. The YA novel Into the Dark features the padawan Raeth Silas, who is mentioned in passing by his master Jora Malli in this book. The Jedi “prodigy” Vernestra Rwoh shows up for the Starlight Beacon dedication ceremony, fresh from her adventures in A Test of Courage, the middle grade novel. All of these books came out in January, and it seems to be the case that July is the next major cavalcade of novels is due, including the sequel to this, The Rising Storm.

I cannot wait!

Post 999!

Hey everybody!
It’s my 999th post on this blog! What an incredible milestone! I honestly didn’t give things much thought back when I started this endeavour back in 2014, but I suppose as time has gone on, I suppose it’s been quite exciting to see the blog growing – even if it is with my inane babble! As we gear up for post number 1000, which is already written and scheduled to go live tomorrow, I thought I’d have a bit of a catch-up blog with you all, and dip into some of the stuff that has been going on in recent weeks!

Curtain Call

Recently, I’ve been playing a lot of Arkham Horror LCG, and enjoying myself immensely. Back when I first played the game upon release, I definitely knew that I enjoyed the game, but always seemed to struggle to get round to actually playing it. It wasn’t until last year, almost three years after the initial release, that I got round to actually trying out a full campaign.

Now, however, I’m firmly entrenched in the whole thing, having really revitalized my enjoyment of the game and throwing myself in whole-heartedly! I’ve made my way through two full campaigns now, and I’m poised to start on a third over the festive season, tackling The Circle Undone with Diana Stanley and Joe Diamond. Having sleeved the cards for this cycle, it’s been exciting to see that this one focuses more on the classic trope of regular cultists trying to bring about the end of the world, rather than fantastical creatures and the like. I’ve been recording my games here on the blog, and I’ve set up a page specifically to collect these posts together. I’m sure I’ll be trying out some campaigns multiple times, too, but I want to try out all the game has to offer me, and make up for lost time!

Interestingly, all of this Arkham Horror LCG has got me thinking about trying my other great card-game love, Lord of the Rings LCG. It’s been a long time since I have last played this game, I think I tried my hand in one of the early scenarios in the summer-time, but playing this game has really dropped off my radar in recent years. It’s interesting, of course, because I still really love it, and I still call it my all-time favourite card game. I suppose part of the reason for me having stepped back a bit from it resides in the fact there is just so much of it now. The game wound up a few months ago, after the last cycle took an absolute age to actually see all six packs released – in total, we have nine full cycles, eight deluxe Saga expansions, and about a dozen standalone scenarios. It’s quite mind-boggling, really, and the player cards have become quite the beast to wrangle!

Earlier this week, as it happens, I spent a sleepless night looking through my collection once more, and reliving some past memories as well as tinkering a little with my favourite Rohan deck. The whole thing was brought about because I wanted to re-sleeve some of the cards, requiring the transparent sleeves for Arkham Horror as it happens, but it really took me on that journey down memory lane, to the time when I would excitedly play each pack in the Mirkwood cycle as it was released – spending yet another sleepless night back in, what, 2011, playing The Dead Marshes. Ah, memories!

I’ve currently got four decks built up and ready for the game – the Rohan deck, a Dwarf deck, an Elf deck, and more of a generic/mix that uses a number of Dúnedain and Outlands cards. Going over these (and re-sleeving them), and sorting out a lot of the later packs from Harad, Rhovanion and Mordor, has got me thinking how I’ve never really ventured very far into this game, always returning to Mirkwood and the Dwarrowdelf, without really exploring any of the cycles from Ringmaker onwards, really! Looking back, I got as far as The Dunland Trap from that cycle (the game’s fourth, just fyi!) while playing what I would call regularly, back in 2015, and have pretty much given up, since! Sporadic plays of a scenario from Angmar and Harad notwithstanding, I’ve pretty much let the bulk of this game pass me by, whilst still compulsively collecting it!

Well, hopefully that will change soon!

Lord of the Rings LCG

I’ve got my eye on playing some of the newer quests, potentially with that Dúnedain deck, or else with the re-tuned Rohan deck, over the festive period (although probably more like the new year weekend). I’ve even been considering building up an entirely new deck, using the newer player cards to build around the Dale theme. I’ve got my eye on trying maybe The Lost Realm, or else Vengeance of Mordor as that has struck me as a very intriguing cycle. I’ve heard so many good things about the Ered Mithrin cycle, though, so that is also a strong contender. Of course, I playtested on the Angmar Awakened cycle, but I think I came into the game after the playtesting for the deluxe expansion had finished. I have lots of bad memories of never being able to escape from the dungeons, but it’ll be nice to actually play the game in its finished form, with artwork and not the badly-formatted black-and-white printouts that were sleeved on top of other cards!

So that’ll be something good to look forward to!

What else has been going on?

Well, I’m quite excited to say that I’ve pretty much finished my first major terrain piece! I mean, I’ve painted up some ammo crates before, but I’m quite excited for this one! The Sector Mechanicus stuff is really nice, and I have rather a lot of it after all, but I think after the game of Necromunda the other week has got me thinking more about terrain and whatnot, so I think it’ll be nice to have some done. I’ve been working on a Galvanic Magnavent lately, building it up to reflect the back of the box rather than the “standard” build from the front (I’m pretty sure I did that with another piece, too…) so I think when I have these big pieces painted up they’ll look really good out on the table!

Let’s talk about Necromunda though, as it’s something I’m hoping to try out again over the festive break (first Lord of the Rings, more Arkham Horror, and now this?! Where will I find the time…) I’ve been reading up the rules for scenery from the Book of Peril, and I’m quite excited by just how interactive the battlefield can get! So it should be really interesting to see how all of that works (although it might not be something that I get to straight away, as there are a lot of moving parts in this game, after all!)

It’s not all about the scenery though, as I’ve also been building up some more Van Saar folks as the excitement around House of Artifice increases! My current leader comes in at a whopping 310 credits – I know Van Saar are expensive, but that’s a third of the starting gang, so I needed to slim them down a bit. This chap, above, is a much more respectable 245, which means I can actually fit in another body, between trimming down the leader and champion options. I think that game I linked to earlier definitely showed just how much the advantage of numbers can go in your favour – and expensive gangers are of no use to anybody if they’re Prone and Pinned!

Finally…

We need to talk about this. I don’t think I’ve properly recovered yet, of course! But 10 new Star Wars series’ is just phenomenal! The Mandalorian is showing that Star Wars can absolutely have a future on the small screen, and I am so excited to see what they’re going to do with it all. I probably need to confine my thoughts on this to a separate piece, but suffice it to say, I’m really happy with what’s going on there right now!

So, folks, that’s almost a thousand posts finished! Come back tomorrow to celebrate my birthday with Post 1000 itself – I think it’ll be a good one!

The Mandalorian: Season Two (part two)

Hey everybody,
After the first three chapters in the second series of The Mandalorian, we’ve got a pair of really wonderful episodes that I need to talk about today. I’m constantly a bit late to the party on this one, of course, but we’re catching up of course!

Chapter Twelve again feels a little bit like a filler episode, although there’s a gang’s all here feel to the show as we return to Nevarro for the Razor Crest to get further repairs before the trip to Corvus. Greef Karga has taken over political responsibility for the settlement, with Cara Dune acting as enforcer for him. However, there remains an Imperial base on-world that incorporates the lab of Dr Pershing, the associate of the Client from season one. The Mandalorian agrees to help them destroy the base while his ship is being repaired, and we get the standard sort of infiltration mission that feels a bit similar to the prison break episode from last season. However, it’s still very enjoyable, and we get to learn a bit about what Pershing was up to, conducting experiments on transfusing the Child’s blood into test subjects, presumably to produce Force-sensitives?

The episode ends with the revelation that one of the mechanics working on the Razor Crest has planted a tracking beacon for Moff Gideon…

Now then. Chapter Thirteen is probably one of the most anticipated of the series, as we were promised live-action Ahsoka Tano for a long time. On Corvus, Ahsoka is prosecuting a war against the Imperial Magistrate Morgan Elsbeth, whose master she is keen to track down. When Mando arrives, he meets with the magistrate, who offers him a beskar spear in return for killing the Jedi. Mando finds Ahsoka and explains why he has come to Corvus, whereupon she and the Child communicate directly through the Force. Interestingly, we discover that his name is Grogu, and following Order 66 he has been suppressing his Force powers in order to survive. In exchange for training Grogu, Mando agrees to help Ahsoka with her battle against Elsbeth.

The planet is liberated, and Ahsoka forces Elsbeth to tell her where her master Grand Admiral Thrawn is. However, she refuses to train Grogu, explaining that he and Mando have formed too strong a bond. She suggests they travel to the temple of Tython, where Grogu may be able to access the Force and call out to another Jedi.

First of all, live-action Ahsoka is not as annoying as cartoon Ahsoka, which is something of a relief! The cartoon version would quite easily have defeated every Imperial on the planet, I’m sure. It’s interesting that she’s looking for Thrawn – I’m not entirely sure, but I believe it has something to do with her trying to locate Ezra, from her time during the Rebels cartoon series – that’s something that I’ll have to try and cover here on the blog at some point, as well…

The Jedi Temple on Tython is something that goes back to The Old Republic, and that MMO from 2011 – so that’s a deep call back to the old expanded universe! The episode is directed by Dave Filoni, however, and as much as I disliked the Clone Wars cartoon series, you have to hand it to the man that he just gets Star Wars and is able to take these references and build them into his own material, usually with very good results. When Filoni does Star Wars, he usually does it well – as the protege of George Lucas, it’s to be expected. There are just one or two things that irk me about his efforts, and it’s unfortunate that those one or two things override all of the good stuff, really!

These two episodes feel quite important to me, as we have a nice pit-stop back into the first season, and catch up with what Moff Gideon is up to with some more teasing of what his role could become in chapter twelve, then The Jedi blows almost everything out of the water by including such a high profile character – and a fairly huge name-drop, as well! – but manages to do it in such a low-key episode. I mean, the feel of Corvus is quite simple-oriental, and while I would have liked to have known more about the conflict there, it does feel like the show is sticking to its quiet and understated mood that the first series had, despite taking on such big storytelling.

I’ve read a sentence that has got me really hungry for chapter fourteen, which premiered yesterday, so I need to move on to that one fairly soon!

The Mandalorian: Season Two (part one)

He’s back!

The Mandalorian 2

It’s been a grim old year, hasn’t it? But we’ve got something to enjoy as 2020 draws to a close: season two of The Mandalorian! We’re actually over the halfway point here, now, and it’s taken me a long time to get round to covering this wonderful series on my blog. But enough preamble, let’s begin!

Chapter 9 begins with Mando beginning in his quest to return Baby Yoda to his kind, the Jedi. He believes that by finding other Mandalorians, he can succeed with this mission. Rumours reach him of a Mandalorian in the Tatooine town of Mos Pelgo, but this turns out to be a dead-end: the Marshal of the town, Cobb Vanth, is using Mandalorian armour that he bought from the Jawas – in exchange for Mando’s help in slaying a krayt dragon that plagues Mos Pelgo, Vanth agrees to give up the armour. Cobb Vanth is a character from one of the interludes in the Aftermath series – he has appearances in all three novels of the trilogy, as we see him bring law to the frontier. The episode is a very enjoyable series opener, and I was particularly happy to see the krayt dragon pearl still being a part of the lore.

The Mandalorian 2

Chapter 10 feels quite like a filler episode, as Mando takes a passenger from Tatooine to Trask, in exchange for information about the location of some Mandalorians. In a callback to the earlier season, the New Republic catches up with him and attempts to apprehend him for his role in the prison break, forcing him to ground on the icy world of Maldo Kreis. There has been an ongoing plot point of Baby Yoda being hungry, and his hunger awakens a brood of spider-creatures that are really not for the arachnophobes among us! There are some particularly gross scenes in this one, but I won’t dwell on them! The New Republic X-Wings actually return to help him fight the creatures off, and Mando is able to repair his ship just enough to get him to Trask.

The Mandalorian 2

Chapter 11 is… quite something. Mando is introduced to Bo Katan and her group of Mandalorians, and as such he learns something about the history of the Death Watch. Mando assists her in stealing weapons from an Imperial cargo ship to help in the defense of Mandalore. In exchange, she tells Mando that he can find the Jedi Knight Ahsoka Tano on the forest world of Corvus. The episode is a lot of fun, which is something that rather took me by surprise, because I had not been a big fan of the Clone Wars cartoon series back in the day, of course!

It’s clear that the series is still very much in line with the first, keeping up the quality of the storytelling. I was a bit concerned, when we first heard that the cast list had expanded so much. There was a low-key quality to the first series that I enjoyed very much, and didn’t think could be maintained by going wide as I feared, but it actually works really, really well.

For sure, there is the feeling of a kind of RPG narrative going through the series, as Mando jumps from planet to planet in an attempt to fulfill his mission, but getting caught up in side quests. But that was kind of there from the start – even more so, really, when Mando was using his payment to upgrade his armour in series one! But accepting that as the kind of plot structure for the show, it does kind of work overall!

The Mandalorian 2

I was very excited at Katee Sackhoff as Bo Katan. Hardly what I would call my favourite character from the Clone Wars cartoon, nevertheless it was actually quite exciting to see a respected sci-fi actress bring the cartoon character to life in a convincing manner. What I find very interesting now, of course, is how we have a very intriguing plot thread hanging in terms of the struggle for control of Mandalore. Could this be the next season of The Mandalorian being set up? Heck, could Starbuck be getting a series of her own?! It’s actually blowing my mind to think of the possibilities here!

But speaking of possibilities, we have to talk about this…

The Mandalorian 2

At the end of Chapter 9, we see Mando going off with Vanth’s armour, and the camera zooms out onto this fellow: Temuera Morrison. Boba Fett did indeed survive the sarlacc pit, and we cannot be leaving this little nugget un-explored, surely?! Was this the owner of those boots at the body of Fennec Shand last season? We need to know more about this, urgently!

I’m not the biggest Boba Fett fan – I happen to feel like he’s one of the most over-hyped characters in the saga – but this is pretty huge, let’s be honest, and I think we definitely need to explore this some more!

The Mandalorian is definitely maintaining its high production value and quality storytelling with this second series, and I think it’s a real revelation having Jon Favreau at the helm, as the guy clearly not only knows his Star Wars, but he really loves it! We’ve currently had five episodes of this series now, but I want to take the time to properly explore the next two as they contain some truly amazing things that I want to really dive into, so stay tuned for more in the coming week!

Star Wars: Battlefront II – Inferno Squad (a review)

It’s been a while, but I feel as though I need to keep up with the reviews of the books that I’ve made my way through recently! Star Wars Battlefront 2: Inferno Squad is a tie-in to the video game and not really anything to do with the first Battlefront novel, aside from the fact that it also ties-in to a video game. That kinda threw me for a while, I must admit! The second novel takes place in the immediate aftermath of the Death Star explosion, and has quite a few tie-ins to Rogue One as a result.

We follow the TIE fighter pilot Iden Versio, the daughter of ISB Inspector Garrick Versio, as she returns from Yavin to the Empire, and to her father, who is forming an elite team of operatives that will work to prevent corruption within the upper ranks of the Empire, and root out information leaks such as those that led to the destruction of the Death Star. The team consists of Iden herself as leader, her friend Gideon Hask, Del Meeko and Seyn Marana – experts in their fields, which include mechanical engineering and naval intelligence.

The novel then follows the team as they go from their first mission, which serves to form the backdrop of the team being simply excellent, to the main meat of the story – infiltrating a group of survivors from Saw Gerrera’s Partisans, who call themselves the Dreamers. Each member of the team splits up and infiltrates the group in a separate way, with Iden herself posing as an Imperial defector.

The Dreamers have gained some inside information on the Empire, which allows them to choose the targets for their insurgency activities with unerring accuracy. Inferno Squad’s task is to discover how they have gained this information, and then destroy the rebels utterly. Building trust with the Dreamers, they go on several missions and eventually learn that their leader is the son of Senator Mina Bonderi, Senator for Onderon during the Clone Wars. He has been getting his information from his step daughter, who works for the Empire. He hands the information chip to Iden, who only stuns him before the rest of the team kill the surviving members of the rebel cell.


I really enjoyed this book, as it felt a lot like an easy read adventure story. In a lot of ways, it has everything that classic Star Wars novels of the past have: adventure, intrigue, mystery and some epic battle scenes. I thought the mystery of the Dreamers’ leader was nicely done, with the payoff working nicely within the context – Lux Bonteri was in the Onderon arc of Clone Wars season five, but he was hardly a major character that would resonate through the ages. Here, Christie Golden has given him a continued storyline that fits really well with his character, and reminds me of similar instances of Prequel-era characters making the transition to the Classic-era. My yardstick for this has always been Captain Panaka being made a Moff, and I think having others like this come through the Rise of the Empire with different roles in a credible manner is always just wonderful.

The plot feels a little formulaic, as we see the team formed, they go on their first mission which is pretty much flawless, then the main business begins and things get a bit more tough. All the way through, however, we’re not brow-beaten into believing that the team is amazing, but rather we’re shown how they are experts in their respective fields. There are of course some slightly cringeworthy moments, but then, Star Wars has always been a little bit cheesy. I think this is the first time I’ve read a book by Christie Golden, who wrote some books in the now-Legends Fate of the Jedi series, although I don’t think I ever made it that far in the timeline (they’re up in the attic for now, anyway!).

It was a very enjoyable read, and while I probably won’t be putting it in my all-time top ten, it’s along the sort of lines of Resistance Reborn and Black Spire, which were similarly enjoyable books, if somewhat forgettable. Is that too harsh? Maybe. I suppose it doesn’t feel like it was all that important, but had plenty of tie-ins to the rest of the universe that made for a fun read. I suppose what I mean by this is, it doesn’t try too hard to be anything more than a Star Wars story within its context. It isn’t trying to re-write history, or put its main character(s) right up there in Tarkin’s or Palpatine’s inner circle. It is definitely an interesting book, in that it tells a story about elite Imperials who are fighting to maintain order in the galaxy, and shows that there were some good people working within that system to do what they thought was right. Really enjoyable, and worth taking the time to hunt it down!

Star Wars: The High Republic

So… this has dropped!

The High Republic is the Next Big Thing for Star Wars, now that the Skywalker Saga is over. To some extent, this was what a lot of people had been expecting. I mean, the favourite fan theory was for Knights of the Old Republic, which is of course thousands of years prior to the Battle of Yavin. We’ve got a lot of really great storytelling in that period from the old canon, of course culminating in the wonderful Tales of the Jedi, which you can read about in my old blog here.

The High Republic is set, I believe, 200 years prior to the events of the prequels. So we’re not quite talking the ancient history of TotJ or KotOR but, I would expect, something much more akin to the Jedi storylines of the prequels themselves. We’re promised Jedi who are like Knights of the Round Table, which I’m hoping means will bring some really noble and actually good Jedi. There’s a lot to be said on this subject, for sure, but I feel like the prequels were a bit flat on the Jedi as a whole, and it fell to the comics and novels that came out alongside the films to fill in the blanks. We need Jedi who embody what it means to be a part of the Order, not those who stand out from it like Qui-Gon or Mace, you know?

My first thought, upon seeing the trailer there, was that this could be Disney attempting to almost re-write the prequels, taking the stuff that people liked – such as seeing Jedi en masse – and putting them into a new era to sort of capitalize on that. We couldn’t have a lot of Jedi in the movies that Disney has put out so far and, so I’ve heard, this series is limited to books of various descriptions. So, no movies yet, but what’s to say this isn’t setting us up for something further back in the past? Testing the waters with seeing whether people still respond to the Jedi capers, before we then head back into the past with a movie series set properly in the KotOR era?

Interesting.

Having a core cast of characters that will grow, and that will straddle comics, novels and the like, is really interesting – I hope it won’t end up being the sort of melange that we had in Rebels, for example. Hopefully it will be good, and we’ll get a nice look at the wider universe as well – we’ve had the usual mix of scum and villainy promised, of course, so I’m excited to see what that will bring us.

In fact, now that I think of it, I wonder whether we’ll see breakout characters like Cad Bane coming out.

Star Wars High Republic

So, that’s Project Luminous, then!

I’ve been a bit down on the new Star Wars lately, it seems, but I’m taking a bit of a stand on this one, and I’m going to choose to be hopeful. It’s a pretty unexplored era so far as looking back to the Legends stuff, so there’s less of a risk for me comparing it to what we’ve lost.

Let’s hope it delivers!

The Mandalorian (round-up)

Hey everybody!
So we’re now at the point where the final episode of The Mandalorian has aired, and we’re left with thoughts, hopes and dreams for season two, which was recently announced by series creator Jon Favreau. I thought I’d come along here and catch up with the series, after the first two installments of my look at season one, here and here.

Major spoilers to follow, guys!

Chapter 6 is a prison heist episode, as Mando attempts to earn some credits without returning to the Bounty Hunters Guild, who are mostly after his hide following the breakout from Nevarro. Taking a job from his old friend Ran, he teams up with a rag-tag group in an effort to break out the Twi’lek Qin from a New Republic prison ship. Qin’s sister Xi’an is part of the team, who all proceed to double-cross the Mandalorian and leave him on the ship, the pilot having activated a distress beacon. Mando isolates and defeats each member of his erstwhile team, then delivers Qin to Ran and leaves. Ran, attempting to launch a fighter to pursue Mando, has his space station blown up by New Republic fighters, who have followed the beacon Mando placed onto Qin.

It’s something of a throwaway episode, much like the previous two, but the series has been really good at taking this sort of extended look into the underworld, and continuing to give us decent action, even if the individual episodes are, well, episodic in nature. It harkens back to older-style TV series, which used a similar method of storytelling, much in the way the original movies harkened back to the adventure serials.

However, chapters 7 and 8 form essentially a two-part season finale, and the last episode is the longest yet at close to an hour. To begin, Greef Karga sends Mando a message explaining that the Client has overrun Nevarro, and proposes that the bounty hunter return, using the Asset as bait in order to draw out the Client, kill him, and free the planet. In return, Karga will call off the bounty on Mando and allow the hunter to operate in relative peace. Sensing a trap, Mando recruits Cara Dune and the Ugnaught Kuill to assist him. In addition, Kuill had salvaged IG-11 and reprogrammed him.

Along the way, Baby Yoda heals Karga following an attack by mynocks, and he reveals that his original plan had been to kill Mando and take the Asset to the Client for his own purposes. The plan changes, and Karga pretends to have captured Mando in order to get close to the Client, while Kuill takes the Asset back to the ship. However, the Client is contacted by Moff Gideon, who arrives in force with stormtroopers and deathtroopers, and shoots up the cantina where the meeting was taking place, killing the Client in the process. Scout troopers have been dispatched to recover the Asset, who kill Kuill in the process.

Chapter 8 picks up almost immediately, and we see that IG-11 manages to recover Baby Yoda, thwarting Gideon’s plans. In turn, the Imperials attempt to destroy the cantina, threatening the group with an E-web repeating blaster, and then incinerator troopers.

The group manages to flee into the sewers, where they discover the Mandalorian enclave has been all but decimated following Mando’s departure from the world. The Armourer remains, and informs them that some did flee off-world, and provides them with some assistance for their escape. She also tells them that the Asset appears to be a Jedi, the ancient enemies of the Mandalorians, and charges Mando to return it to its people. Following a lava river, the group manages to escape the Empire thanks to IG-11 triggering his self-destruct, but just then Moff Gideon pursues them in his custom TIE fighter. The Mandalorian uses his new jetpack to fly up to the TIE and plant some detonators on it, causing Gideon to crash.

In the wrap-up, Cara Dune agrees to stay on as Karga’s enforcer, while Mando must pursue his new mission, reuniting Baby Yoda with his people. Finally, we learn that Moff Gideon has survived the crash, cutting himself out of the wreckage with nothing less than the Darksaber!

Looking back, this series has been just incredible!

I was really gushing about how much I have been enjoying the small-scale adventure stuff in my previous blog, but that still holds true, even when we have the might of the Imperial Remnant under Moff Gideon. We have a fairly pitched battle, with massed stormtroopers as well as the more esoteric varieties that call on the expanded universe of yore, which continues to provide that element of fan service without seeming to browbeat us with it.

While Baby Yoda has clearly been the breakout character here, I think there is still a great story being told, and it doesn’t rely on this cuteness or anything to make it work. Chapter 8 brought us a lot of answers, seeing the extended flashback of Mando and getting, basically, his origin story. We also finally see him without the helmet, which was interesting as it did serve the story and wasn’t simply checking off a list.

I think that’s been the great success with the series as a whole, though, as we’ve seen some really great storytelling without resorting to an over-reliance on snazzy effects or something. It’s character-driven stuff, really reverting back to the type of the original trilogy. It really succeeds with the small-scale adventure, such as Chapter 4’s assault on the AT-ST, and through having some really great moments to build on the core characters, chapter 7 felt really good to see them now united in their cause.

Season 2 is expected next Autumn, and while we can assume we’ll be seeing Mando and Baby Yoda road trips while they attempt to find either (a) more Yodas, or (b) surviving Jedi, it has been suggested that we might also be seeing the formation of the First Order. Personally, I hope we don’t get that – The Mandalorian has been at its most successful, to my mind, when it avoided all of that galactic-scale stuff, and instead told its story of outlaws on the galactic fringe. If we start scaling things up, then I think we’ll risk losing the charm of what has made this season so successful.

Hopefully, Jon Favreau and co will stick to the formula, and have an overarching storyline that also takes the time for those episodic parts, where we can just continue to build on the characters. Speaking of which, while I think we can be fairly sure we’ll see Cara Dune, Karga and Gideon again in some capacity, I hope we get to find out what happened with Fennec Shand, as I’m pretty sure she survived at the end of chapter 5…

It’s been really great, and I’m really looking forward to seeing more live-action Star Wars on the small screen in the future!

The Rise of Skywalker (spoilers within!)

The Rise of Skywalker

So folks, I went to see the latest Star Wars movie, The Rise of Skywalker, last night. The finale to the nine-movie saga of the Skywalker series, there was a lot of hype for this film in the run up, and I was getting a bit concerned that it might not live up to that, when it came down to it.

The story of the film picks up around a year following the last movie. There have been reports of the return of Emperor Palpatine, and Kylo Ren has obtained a Sith wayfinder device that he uses to travel to the planet Exegol, and finds the weirdly reanimated Sith Lord, who reveals that the whole First Order has been part of his plan, and that he created Snoke as a puppet to lure Ren to the dark side. Palpatine has an entire Sith fleet in orbit around the planet, and he promises to turn over the whole of his Final Order to Ren in exchange for the death of Rey.

Poe, Finn and Chewie gain intel from a spy in the First Order that confirms Palpatine has returned, and return to the Resistance with the news. Rey has read of a device within the Jedi texts she had from Luke, which can lead to the lost Sith world of Exegol. Luke had traced such a device to Pasaana with the help of a mysterious contact, and so Rey, Finn, Poe and Chewie travel there to pick up the trail. There, they meet Lando Calrissian, who helps them escape a First Order patrol, but through their Force bond, Kylo Ren discovers Rey’s location and travels there to confront her. Poe and Finn discover a Sith dagger on the that C-3PO translates, although he is forbidden from speaking the words due to his programming. However, the First Order captures the Falcon, and Chewie with the dagger – while attempting to bring the prison transport back to the surface, Rey accidentally destroys the ship with Force lightning. The Resistance heroes escape on the ship left behind by Luke’s contact.

Poe suggests they travel to Kijimi, where they can get the text out of Threepio’s memory. Unfortunately, this will come at the cost of wiping his memory completely. They go through with it, and while there Rey senses Chewie is alive on the First Order ship in orbit, which arrived following the Knights of Ren having tracked them. While Kylo Ren travels to the surface to find Rey, the Resistance fighters travel to the ship with the help of an old contact of Poe’s, Zorii Bliss. While Finn and Poe rescue Chewie, Rey recovers the Sith dagger and receives a vision of Luke’s contact killing her parents with it. The First Order discovers Finn, Poe and Chewie, but they are aided by General Hux, who reveals himself as the spy. Kylo Ren reveals to Rey that she is the granddaughter of Palpatine, who had ordered her killed as a child as he feared her power. He asks her to join him, and together they can defeat Palpatine, but she escapes with Finn, Poe and Chewie. Hux is executed by Allegiant General Pryde, who speaks to his former master, the Emperor, and orders the destruction of Kijimi.

Threepio’s memory banks have given the location of the Sith wayfinder device as Kef Bir, a moon in the Endor system. There, Rey uses the dagger to discover the location of the device in the remains of the second Death Star, but upon finding it, she is confronted by Kylo Ren once more. The two duel, and at a critical moment Kylo feels Leia calling to him through the Force as she dies. Rey impales him on his own lightsaber, but then manages to heal him through the Force before fleeing the planet in his ship. She returns to Ahch-To, and attempts to exile herself, but the Force ghost of Luke encourages her to face Palpatine and her destiny, and she leaves in his old X-Wing and with Leia’s lightsaber, using the wayfinder from Kylo’s ship to travel to Exegol. Kylo Ren realizes the errors of his ways, and after a hallucination of his father Han Solo, he throws away his lightsaber. The Resistance tracks her through the call sign on Luke’s X-Wing and follows her there, to be confronted with the massed Sith fleet headed up by General Pryde.

Rey confronts Palpatine on the surface, and the Emperor demands that she kill him, to allow him to transfer his consciousness into her and live anew. While the Resistance fleet attempts to battle the full might of the Sith, aiming to knock out a navigation tower to prevent the fleet from leaving orbit, Ben arrives to aid her and is confronted by the Knights of Ren. Through their Force bond, Rey manages to give Ben her lightsaber and he defeats them all. He joins Rey to confront Palpatine, but he manages to drain their essence to empower himself back to full health. While he Force-pushes Ben away, Rey is galvanised by the combined strength of previous Jedi (including Yoda, Mace Windu and Obi-Wan) and, using both Leia’s and Luke’s lightsabers, deflects Palpatine’s Force lightning back at him, and defeats him.

The effort of doing so is too much and she seemingly dies, but Ben returns and manages to heal her through the Force. The two kiss, and Ben becomes one with the Force. As he does so, Leia’s body follows. When all seems lost, Lando arrives in-system with a massive, rag-tag fleet of reinforcements and they manage to destroy the Sith armada, finally eliminating the threat of the First Order. While the galaxy celebrates freedom once more, Rey travels to the Lars homestead on Tatooine, and buries both Luke’s and Leia’s lightsabers in the sand, having now built her own. A passing local asks who she is, and she reveals her name as “Rey Skywalker”.

As I said at the start, I was prepared to feel let down by this film, after the sheer amount of hype that it had received. On my way out of the movie theatre, I wasn’t entirely sure how I felt about it, but we had a 2 hour car ride home after meeting up with some friends, and talking it through really helped me to think about that. After sleeping on it, I’m pretty much convinced that it is a satisfying conclusion, but only to the sequel trilogy.

Let me explain.

I grew up with the original trilogy, but was in high school when the prequels started coming out. So I hadn’t quite formed that sort of opinion about things, but rather I was just enjoying the fact that there were more Star Wars movies being made, and I was around this time to see them. I think the fact that their numerical order helped: having always had IV, V and VI, it felt right that we were finally getting I, II and III. When the sequel trilogy was announced, I think it just felt like, “Oh, Disney has just spent a lot of money acquiring this IP, and they want to start playing in that sandbox”. I have never felt like the sequel trilogy needed to be made, in the same way that making the prequel trilogy made some amount of sense.

These films were originally about Luke Skywalker – he is the hero whose journey we are on. Vader is the villain who, in one of the most shocking plot twists in movie history, turns out to be Luke’s father and is eventually redeemed, but I don’t think anybody thought that the movies were about Vader until George Lucas started to make the prequels, and told us that, actually, these movies are about Anakin Skywalker, his fall and eventual redemption by his son. It was an interesting way of looking at things, and I guess I was suckered into that because, since the early 2000s, it’s been really nice to have that six-part film series that tells the whole story of Anakin Skywalker.

Now, we have the sequel trilogy, and the main protagonist is the granddaughter of the Emperor, but we’re being told that these films continue the saga of the Skywalker family. I’ve got to say – no, they don’t. If Rey had turned out to be the hidden twin of Ben Solo, then maybe. But she’s not, so the only way that these films can logically be said to continue the Skywalker saga is insofar as they kill off the Big Three from the original trilogy, providing that sense of closure while passing the torch to the next generation. Suddenly, the nine-part film series is mostly about Anakin, but is more about… what? There is now a lack of focus if we’re to look at these as one long saga. There is no central protagonist, because Anakin/Vader only lives through two-thirds of the movies, just like Luke is only present for two-thirds of the movies.

To my mind, the sequel trilogy did not need to be made, as it blurs those boundaries of a family soap opera that Lucas had intended all along. In his own ideas for the sequel trilogy – a pretty fascinating topic that I want to save for another blog – we’d get the grandchildren of Anakin Skywalker, making each trilogy about him, his children, and then his grandchildren. As it stands, while Ben/Kylo Ren is certainly a grandchild of Anakin, he is most certainly put into the antagonist camp, and I don’t think anybody could really say the trilogy has been about him, in the way that it has quite blatantly focused instead on Rey.

However.

When viewed as a film that wraps up the most recent trilogy, this works really nicely. There is so much that can be said about The Last Jedi having ruined Star Wars – again, I think I want to talk about this more in another blog – but seeing The Rise of Skywalker now, and thinking about how it fits into the third act of the trilogy, it seems pretty clear that JJ Abrams should have been in the director’s chair for all three. Things that we had seen in The Force Awakens should have continued into The Last Jedi, meaning that The Rise of Skywalker could then have maybe paused a little to actually explore some of these things in greater depth. As it is, there is a lot of story crammed into that 142 minutes. A lot. The first half of the film deals with some pretty frenetic searches for maguffins, and I think some of that could perhaps have been dealt with better if it had been set up in The Last Jedi, rather than JJ having to set things up and then resolve them in the same movie.

I suppose that is nowhere more apparent than with the reveal of who Rey really is. This, I feel, should have been explored further in The Last Jedi – a lot of the first part of the film should, I think, have been in that movie, especially her use of Force lightning on Pasaana, before we finally learn of her heritage here. I think more explanation of how, in fact, she is related to Palpatine is needed, as well – I’m no prude, but I don’t think the Sith Lord is the sort to go sleeping around, and while Darth Plagueis does paint him as something of a dapper senator, we’re still at the theory stage right now. For my own theory, I think it will either be a case of Palpatine having used the Force to create life again, or else some form of cloning experiment. I just hope that we’ll get to see something of that explored further soon, because it’s one of those niggling plot points for a huge nerd like myself, who will obsess over it until the shaaks come home…

Something else that I’d like to mention is how impressed I was with Leia’s inclusion. Considering the pledge was made to use nothing but deleted scenes, she actually has a much more substantial role in the film than I’d been expecting. Just when I thought we might have seen the last of her, she turns up again for more! Sure, some clever use of stand-ins has been made, but it was really nicely done, and I think it forms a fitting end for her character, as she passes the baton to the last generation.

It’s a busy movie, but it does have the time for some really nice sequences. JJ’s love of practical effects and real sets comes through once more, and I absolutely love it for that. Much like what we’re seeing with The Mandalorian right now, it’s stuff like this that helps give the show or the film that veracity that allows you to immerse yourself in the universe.

There are some incredibly wonderful little details that we see throughout the movie, I felt myself again getting sucked into the world, and wanting to know more about, for example, the Emperor’s creepy robed minions, or the denizens of Kijimi, or the “Sith assassin” contact Luke had been working with, etc etc etc. It’s such a real, lived-in universe feel, which is exactly the same feeling that we get when we watch the cantina scene of A New Hope, or the Jabba’s Palace scenes of Return of the Jedi.

It was a pretty good ending to the sequel trilogy, and I don’t think it’s going to come under anywhere near as much fire as The Last Jedi has. I don’t think of it as being a conclusion to the entire Star Wars saga, though, but it functions perfectly well as the capstone to the new sequel trilogy.

And I just can’t wait to see where we go in the Star Wars universe next!

The Mandalorian (catch-up)

Hey everybody,
It’s time to catch up with The Mandalorian! So, rather than trying to write up some thoughts after each episode, I thought I’d just do the odd catch-up blog after a couple, having enjoyed the first three episodes immensely.

Chapter 4 branches out a little bit, as we follow Mando in his attempt to get away from the Bounty Hunters Guild, who are tracking him for both vengeance, and a chance to take back The Asset. Arriving on the forested world of Sorgan, Mando teams up with Cara Dune, a former Alliance shock trooper turned mercenary, to defend a village from Klatooinian raiders. After the battle, Mando realises that the Guild is still tracking the Asset, and so leaves.

This episode had all of the hallmarks of the classic Western, with the reluctant hero saving the village from marauders. What really excited me was the fact that the whole thing is so small-scale, which meant that the inclusion of the AT-ST walker in the battle was actually something to be worried about. It feels a little bit like this series is serving to enhance the films – I’m sure the next time we watch Return of the Jedi, the chicken walkers won’t be dismissed quite so easily.

Of course, the original trilogy was pretty much entirely told in small-scale, where the Alliance is depicted as just two squadrons of one-man fighters going up against the Death Star, or the small insertion force led by Han going up against the Empire on Endor. I suppose that’s what makes Return of the Jedi‘s final battle seem so epic when you look at the original trilogy in isolation – the limits of film-making at the time have actually served to give us a science fiction trilogy that is almost entirely character-driven, in direct opposition to the movies that have come thereafter. The Mandalorian is helping us get back to that small-scale storytelling, where a lone AT-ST can actually pose a visceral threat to the action.

I think my buddy JP put it really well, likening this episode to an RPG, or a mission from Imperial Assault. It has that feel about it, somehow. Sure, it comes across as a bit of a standalone adventure, though I’m once again wondering about that sense of gathering the crew, and whether we’ll see Cara Dune again before the season finale.

Chapter 5 was both written and directed by Dave Filoni, and I think it really helped me see him in a different light. Up until this point, I was only going off his work on both Clone Wars and Rebels, and I was not impressed. Considering he was George Lucas’ protege, I think he has done more harm than good to the Star Wars universe, by tearing up the continuity and twisting things to his own ends.

Here, we get a much more interesting Filoni, whether because he is now writing for the more mature end of the market, who knows. Yes, there are a lot of callbacks to A New Hope – indeed, you might almost say the episode leans so heavily on the original movie that it is propped-up by it. Mando is almost shot down over Tatooine, as bounty hunters continue to pursue him and the Asset. In order to pay for repairs, he takes a job with the bounty hunter wannabe Toro Calican, who is trying to get into the Guild. The bounty is on the renowned assassin Fennec Shand, who is believed to be hiding out in the Dune Sea.

They apprehend Fennec, but she attempts to drive a wedge between the two hunters, telling Toro that the Mandalorian has his own bounty now. Toro kills her, and attempts to apprehend Mando, but is definitely in over his head, and Mando kills him.

It’s a fairly simple episode, and while it only aired on Friday, there has already been an outcry about a lack of Baby Yoda time. Well, the show is much better than relying on the cuteness factor, for sure! It’s interesting to me, though, at how well the episode manages to integrate itself into the existing movie lore, while at the same time giving it almost an update. Mos Eisley is still a grim backwater, and there is something vaguely 70s about Peli Motto, the docking bay owner.

Did we need to rely so heavily on references to A New Hope? Probably not, but it was still undeniably cool to see these iconic locations once again. EV-9D9 appears to be working behind the bar at Chalmun’s cantina now (I wonder if Chalmun has moved on?) and business looks to be decidedly slow, but then the streets seem quieter as well – I wonder if this is meant to show the lawlessness of the Outer Rim, and people are keeping to themselves? Hm.

Coming at the mid-point of the series, I thought it interesting that the fifth episode borrowed so heavily from A New Hope, as that kind of tactic feels like something more appropriate to the first episode, as it tries to hook us in with nostalgia. I also find myself wondering if we’ll be seeing any more “classic” locations before the end of the season…


This show continues to delight me, and I am really looking forward to future episodes. The finale will be airing Christmas week, so I’m planning to do a bit of a roundup of the show sometime thereafter. Stay tuned for that!