Dawn of the Jedi

Hey folks!
After a couple of weeks with various Warhammer novels, I’ve returned to Star Wars, and the dim and distant past of that universe – Dawn of the Jedi!

Dawn of the Jedi

Set over 25,000 years before the events of A New Hope, the comic series tells of the mythic origins of the Jedi Order, as Je’daii on the Inner Core world of Tython.

I’d been looking forward to these books since publication began in February 2012, though have only now got round to reading them – shocking, I know. From the Dark Horse dream-team of John Ostrander and Jan Duursema, who are responsible for some of the most awesome comics in the entire history of Star Wars publishing, I had high hopes, but I must admit, having read the first arc, Force Storm, I was left feeling a little disappointed. Let me explain.

Star Wars is, of course, science fiction, and so requires a reasonably high level of tech in any story being told. The danger of doing prequels in these circumstances is always to make the tech side of things not as advanced as the original, and yet still sufficiently advanced from our own society. The prequels famously got this kinda screwy with a whole host of aspects, and only vaguely tried to write it off as comparable to art deco before the cheap mechanical era of the 40s and 50s. The original Tales of the Jedi series managed to pull this off to an extent, with having its powerpack-fueled lightsabers, but the later Knights of the Old Republic still managed to incorporate some technology that, undoubtedly, looks really cool on the page, but looks much more advanced than the stuff we see 3000+ years later in-universe.

From the off, Dawn of the Jedi features some ships and droids that don’t look all that different from prequel-era and classic-era ships and tech, which instantly destroys the conceit that this story is taking place over 25,000 years before those eras. Even accepting that the Rakatan Infinite Empire was a race apart in the tech stakes, the Je’daii still have some nifty stuff that Luke, or Han, would be familiar with. To me, this either assumes that (a) there was little-to-no technological development over the subsequent 25,000+ years, or (b) this is a badly-designed comic, which has sacrificed any historical aesthetic for the sake of “being Star Wars”. Personally, I would have assumed something set 25,000 years before A New Hope would be like a Stone Age society.


My historical gripes aside, the story isn’t too bad. The execution suffers quite a lot from being overly expositional, but you really can’t hold that against it, given the trail we’re blazing here (just a shame the visuals didn’t match up – okay, okay, I’ll stop griping now).

here be spoilers!

We have a really compelling tale of Eye of Palpatine-like constructions floating throughout the galaxy herding up Force-sensitives to take them to Tython. Concentration Camp analogies aside, we don’t hear anything about how this worked – were the Tho Yor spaceships sentient? How did they find the Force sensitives? Just what was going on? At any rate, the ships deposited the Force sensitives on Tython, where they formed a society that, over the centuries, developed into a whole solar system of peoples. I was a bit baffled by this – my physics is rudimentary at best, but I thought there was an optimum distance from a solar body for life to exist comfortably. We have at least three planets in this system that support life with no mention of specific habitats being developed to facilitate this, so I was a bit confused by all this.

I realise I’m being really down on this book – so I shall move on to the good stuff!

The main story is actually really interesting. The Rakata, who you may remember from the Knights of the Old Republic video games, trawl the galaxy searching for Force sensitives to “reap”, and following their harvest of the lush world of Tatooine (clearly a shout-out, and quite cheesy at that), their attention is turned to Tython and the Je’daii community there. The Force Hound, Xesh, is sent to Tython, very much in the manner of the Silver Surfer, but ends up in a confrontation with three Je’daii Journeyers, who I assume are being set up for a starring role later in the series. These three – a Dathomiri, a Twi’lek, and a pureblood Sith – follow the pattern of almost every major Star Wars series, of having a leading trio. Something that really grated on me was all that “princess” nonsense from the Dathomiri, Shae Koda, which I feel was obviously meant to be a throw-back to the by-play of Han and Leia – but, what the hell?! Anyway. It’ll be interesting to see if and how the dynamic of these three is developed.

The planet of Tython has several distinct areas, and feels quite nicely developed as a world. The Je’daii community has built a series of temples on the planet, which serve as something of a training ground in different disciplines. This aspect of the story is part of something that I really caught onto in this tale. The Je’daii community has almost the feel of an eastern culture to it – I hesitate to say samurai, of course, but there is a definite feel of that kind of thing to it, which is precisely what the ancient origins of the Jedi Order should have, in my opinion! I really hope we get some more of that in later issues.

There are also ties to the meta history of the Jedi here. Fans may know that George Lucas originally had ideas for the light and dark side to be called the ashla and the bogan, which here are the names of the two moons. The core tenet of the Je’daii philosophy is to achieve and maintain balance, not to be too dark, nor too light. If a Je’daii goes too far into the light, he is sent to Ashla (the moon) “to meditate on Bogan”, and vice-versa. An interesting concept, and already there is some conflict being set up, as we see an exile on Bogan with a strangely scarred face.

Xesh, the Force Hound, is captured at the end of the book, and is sent to Bogan to meditate on the darkness of his soul – something that the scarred prisoner already there seems to welcome…

In spite of all my griping (and my spoilers!), I can still recommend you read this book, as it is an interesting story if you can get past the tech stuff. I’m certainly glad I read it, and am really intrigued for the second arc, the Prisoner of Bogan…

Dawn of the Jedi

The Star Wars

May the Force of Others be with you…

Think I’ve got that wrong? You obviously don’t know your Star Wars lore, my friend!

Welcome to The Star Wars!

The iconic movie that launched the franchise, A New Hope is a true classic of the genre, and an increasing pool of material is available that shows the genesis of that film, from the Annotated Screenplays through to JW Rinzler’s epic The Making of Star Wars. However, all of these books tell us about the near-mythical procession of drafts that George Lucas wrote for the first movie, four tales that see most of the ideas and concepts that surface throughout the six films Lucas eventually made, but we have to turn to the internet for the actual screenplays if we want to read them for ourselves.

But no longer!

The Star Wars

Dark Horse Comics adapted the Rough Draft as an eight-part comic series between September 2013 and May 2014. I won’t get into a massive discussion of this here, but the timeline of the various drafts was as follows:

Spring 1973: Lucas produces the Story Synopsis, eventually picked up by Fox.
May 1974: Lucas finishes the Rough Draft, which proved too long to film.
July 1974: Lucas writes the First Draft, largely changing names.
Early 1975: Lucas finishes the Second Draft, The Adventures of the Starkiller
April 1975: Lucas revises this into The Adventures of Luke Starkiller, which would become the film A New Hope.

The Rough Draft is a massive tale that effectively tells the story of the three films, episodes 4-6. Something that is particularly fun when reading this story is seeing how the kernels of the ideas – indeed, sometimes the entire sequence – develop into the finished movie. Sometimes it’s only a name that changes, sometimes it’s more.

Until the recent GREAT REBELLION, the JEDI BENDU were the most feared warriors in the universe. For one hundred thousand years, generations of JEDI perfected their art as the personal bodyguards of the emperor. They were the chief architects of the invincible IMPERIAL SPACE FORCE which expanded the EMPIRE across the galaxy, from the celestial equator to the farthest reaches of the GREAT RIFT.

Now these legendary warriors are all but extinct. One by one they have been hunted down and destroyed as enemies of the NEW EMPIRE by a ferocious and sinister rival warrior sect, THE KNIGHTS OF SITH.

The story starts with the opening crawl, of course. It’s interesting to see how certain characters sometimes perform entirely different roles than we’re used to, such as Darth Vader being a general in the Imperial army, with Prince Valorum the actual Sith Lord. (Yes, that’s right – Valorum). It’s also interesting seeing a lot of names that crop up “officially” on vastly different characters – not just Valorum of course, but also Biggs, Whitsun and Tarkin. Famously, Alderaan is the Imperial Homeworld, while Leia and her family live on Aquilae, a prototype Tatooine.

The Star Wars is a faithful adaptation of the Rough Draft by Rinzler, anyway, with the art of Mike Mayhew taking its cues from the original Ralph McQuarrie paintings (that were, in fact, done for the Second Draft, but anyway) and so leading to an often very close semblance to the finished film.

The Star Wars

Something that immediately struck me was just how much Luke Skywalker, the grizzled old Jedi Bendu, looks like George Lucas. But, y’know, leaner. Other visual elements help to pull the comic in line with the film, such as Governor Hoedaack looking a lot like Grand Moff Tarkin, and Darth Vader, while shorn of his iconic helmet (though that does appear from the back in one panel), he retains his silver pectoral armour. Something that I thought startling was just how much Leia can look like Natalie Portman, and similarly, how the Jedi Bendu Clieg Whitsun looks like the young Ewan McGregor.

The Star Wars

The story also has a lot more sci-fi in it that the eventual space opera we all know and love, I suppose partly because the Force hasn’t yet been developed into the mystical energy field that the Jedi (Bendu or otherwise) can manipulate. There is a lot of… well, not jargon per se, but the story has a very distinct feel to its language. The movie starts in media res, of course, and we have to assume quite a lot until we get to the central exposition, but this Rough Draft treatment just plunges us directly into a foreign galaxy, and we’re left more as observers than getting all that involved in the plot. This isn’t necessarily a bad thing, of course, as the story has such an epic sweep that it succeeds in gathering us up regardless.

The Star Wars

It’s got pretty much everything; from the fourth moon of Utapau to the thrown room of Aquilae, we’re taken on a wonderful ride. Long time Star Wars fans will no doubt delight in seeing a classic of the meta mythos being realised, while newcomers have a whole new take on the classic film.

At eight comics, though, we’re getting just over 180 pages of book here. On the one hand, we’re also getting a nice look at the original plan for the story, which eventually became a trilogy of films, but on the other, this is quite a bit longer than your average graphic novel. While I usually have no problem in spending my time reading through book after book in an afternoon, I did have to split this into two nights’ reading, as it can be a little too different at times – when it veers into the realms of hard sci-fi and I just need to take a break from it all! Might be worth bearing in mind, anyway.

But don’t let that put you off – grab a copy today!

The Star Wars

Empire Lost

Hey everybody!
As discussed previously, I’m back with the Star Wars comics for a short while, and have been reading through the Crimson Empire saga. The first arc in this series really helped to define the entire medium of Star Wars comics for me back in the day, and will forever remain one of the best examples in the entire genre. The second, Council of Blood, is a good story that could have benefited from some extra pages to help with the flow. The third, Empire Lost, is a fairly recent release that I have finally gotten round to reading this week, and is the subject of today’s blog!

Crimson Empire III: Empire Lost

Empire Lost has had something of a troubled genesis. Released in 2011-12, the original storyline was intended for a 2001 release, set within the time period of the New Jedi Order and featuring a climactic duel between Luke Skywalker and Kir Kanos, which had been Randy Stradley’s original story kernel back when he was writing for Marvel comics. Following the release of Vector Prime in 1999, and the direction Del Rey took the Star Wars universe – and, perhaps crucially, the direction they took Nom Anor – any further Crimson Empire story was shelved, though the 2000 short comic Hard Currency was published, more as a postlude to CE2 than anything else. Despite rumours in 2008 that the story was again in development, it wasn’t officially announced until 2010, with the first issue appearing in October the following year.

A short, eight-page prequel was released in April 2011 called The Third Time Pays for All, and serves to help us catch up with where the characters will be in the story. Mirith Sinn is back with the New Republic, serving as now-Chief of State Leia’s head of security, while Kir Kanos is still grubbing around as the bounty hunter Kenix Kil in an effort to raise the money he will need to finance his vendetta against Skywalker.

The actual story of CE3 is really very good. The character progression of Kir Kanos over the entire saga is something that I have really enjoyed, and this story certainly doesn’t disappoint. There is a lot going on, and more than either of its predecessors, Empire Lost ties itself firmly into the EU, with appearances by Leia, Han, Luke, even Admiral Pellaeon makes his comics debut! (Not counting the Thrawn trilogy adaptations, naturally).


The story feels almost James Bond-like, with Kanos abducted by a renegade Imperial group intent on restoring the glory of Palpatine’s Empire. Their leader, Ennix Devian, definitely feels like a Bond villain, and his audacious plan to attack both the heart of the New Republic and the Imperial Remnant feels like something such a chap would concoct. Kanos escapes to warn the New Republic, specifically Mirith Sinn, before the two head off to begin negotiations with Pellaeon and Feena D’Asta for a peace accord between the Empire and the Republic. The meeting is sabotaged by Devian, and D’Asta is killed. Sinn and Kanos head for the D’Astan Sector with Feena’s body, and enter an alliance with her aged father against Devian. As Devian attempts to kidnap Pellaeon, Sinn and Kanos intervene with Baron D’Asta’s help, and Kanos and Devian duel to the death – Kanos defeats the “thug” Devian, though is wounded in the shoulder. Sinn resigns from the New Republic, while unbeknownst to her, Kanos survived the duel and is helped by Baron D’Asta to move on from the Empire.

Gratuitous Boba Fett appearance aside, this story is a solid one, and a worthy conclusion to the series. Perhaps more than CE2 was to CE1, this one feels very much like a continuation of the tale, with a lot of references to the second book. I greatly appreciated the way the comic integrates itself with the larger EU, as well – it is set following the novel Planet of Twilight, and for me, it is a much more interesting and enjoyable story than the novel that follows it up, The Crystal Star.

I was quite surprised at how much this story feels like a New Republic story, as well. Long-time Star Wars readers will hopefully know what I’m talking about here, but there is a very definite ‘feel’ to the Star Wars stories of the 1990s, the constant battles with the Empire, the eternal kidnapping attempts on Leia’s children, etc etc. There is a sequence early in this story where yet another kidnap attempt is made, and rather than rolling my eyes at the thousandth iteration of this trope, instead I felt like I was once again reading these pre-Prequels stories with that sense of swashbuckling heroism that the Bantam era managed to put across so well. Despite being a “new” story, CE3 feels like a synthesis of the old in a true throwback style. Excellent stuff!

I really enjoyed the idea of the Restored Empire, which has a long history that feels entirely natural and not at all contrived. While the novel Darksaber shows a sort of unification of the Imperial remnants under Daala (who passes on the leadership to Pellaeon at the end of that novel), it feels entirely plausible that not absolutely every remnant would have been gathered up in that way. Ennix Devian is quite the interesting character, as well – if circumstances had been different, I would have liked to have seen more of him in the Empire era. It strikes me that CE2 was missing a strong central villain – by having Nom Anor too shadowy, while the Ruling Council being too distilled to actually be the nemesis of the story, it seemed to fall short, while CE1 had the excellent Carnor Jax, and CE3 provides the intriguing ‘Kaarenth Impaler’, Devian. Hopefully Marvel and the ‘new continuity’ won’t overlook him in the future!

Something that initially troubled me was the idea of Pellaeon’s peace accord with the New Republic, which he doesn’t reveal in the novels until Specter of the Past, which is set six years after CE3. Initially I was left wondering why it would take so long for the Imperial Remnant to broach the subject of peace again, but then, Pellaeon and the Imperial Remnant don’t actually appear in any of the intervening stories. That itself, however, then raised the issue for me – just what are they doing while the New Republic deals with the Yevetha, Kueller, and the Sacorrian Triad? Again, had circumstances been different, that would have been an interesting time to explore.

All in all, it’s a really good book, and I can highly recommend it to any fan of Star Wars. The entire Crimson Empire saga is definitely one of the high points of Star Wars comics, and despite the slight dip in the middle, this third installment is a really great conclusion.

Council of Blood

Hey everyone,
Following the recent few weeks reading Eddings, I’ve returned to my Star Wars reading for a while, and Crimson Empire. I’ve already talked about the first arc in this trilogy at some length, of course, so want to follow that up with some shorter blogs about the other two. Today, then, I present to you: Crimson Empire II: Council of Blood!


Published in 1998-9 as a direct follow-up to the first, we see Kir Kanos continue on his vendetta against the Imperial Ruling Council for their part in the overthrow of the resurrected Emperor. After his defeat of the wannabe Emperor Carnor Jax, Kanos assumed the role of the bounty hunter Kenix Kil to help him move around the galaxy while there is a bounty on his head. Kanos takes jobs for the Hutt, Grappa, while also eliminating members of the Ruling Council.

Crimson Empire II is much more of a political thriller than the first installment. That is to say, it tries to be more of a political thriller. The goings-on of the Ruling Council, as they are whittled down by Kanos in disguise, try to convey the chaos of the wake of Carnor Jax’s death. However, I’ve read it twice now, and it still feels a bit too muddled and such. Once the main story gets going, what feels like a completely unnecessary further plot twist is added that only really serves to confuse the issue, rather than adding another of layer or somesuch.

The Ruling Council is an interesting idea that wasn’t really developed in the first arc, but here is treated like we should all know what it is. Hm. More, there are aliens on the Council – including a Devaronian and a Whiphid – which seems highly incongruous and is not really that satisfactorily explained. However, it is an interesting idea, and I did enjoy seeing it all.

We also get Mirith Sinn again, who is trying to track down Kanos by using the resources of Grappa the Hutt’s organisation. Not entirely sure why, considering she’s a New Republic official, so could surely have stayed where she was? Hm.

The comic introduced Nom Anor, a mysterious cloaked figure who is pulling the strings of the would-be Emperor, Xandel Carivus. Originally, it was intended that this storyline would lead into a crossover storyline between Dark Horse Comics and Bantam Spectra that dealt with the invasion of the known galaxy by a group of Dark-Side Force users who, it was intended, would have been the ancestors of the original Sith. Bantam lost the novel licence to Del Rey, who went with the invasion story but took it in a whole new direction. Nom Anor, however, was kept on as the herald of the invaders, taking on a whole new persona when he returned in 1999’s Vector Prime.

Overall, I like this story, but feel like it could have done with perhaps an extra comic to help smooth the story over. It’s still good, but it doesn’t really come up to the quality of the first one. Definitely worth a look, however!

Crimson Empire

Hey folks! After what has been a very exciting week for the heritage hunter within me, I’m reverting to type now for the more geeky side of life – now that I’m not spending most of my time behind the wheel of my car! As I’ve mentioned numerous times since I started doing these blogs, I’ve been re-reading the Star Wars fiction from the time of the classic trilogy onwards, and have now gotten to eleven years after A New Hope, and one of my all-time favourite graphic novels: Crimson Empire!

Crimson Empire

You may recall, of course, that Crimson Empire was the first graphic novel I read? Well, if you don’t, shame on you! Go back and read my blogs! Ahem. Anyway, back in the good old, pre-prequel days, I came across this book and it really just blew me away. It tells the tale of two former guardsmen from the Imperial Royal Guard, Kir Kanos and Carnor Jax.

Crimson Empire

The initial story arc of Crimson Empire was published between December 1997 and May 1998, and has been widely praised for the massive fight scene at the end between Jax and Kanos (it takes up over eighty panels across twelve pages). For me, I think it is most memorable because of the story itself. Traditionally, the Empire have been the baddies, and yet here we have a tale where the protagonist is a Royal Guard. By making Kanos honourable to his duty, he becomes a good Imperial, which is something that has been taken up a few times in comics since, but never quite as breathtaking as it is here.

The whole Crimson Empire saga was written by Mike Richardson and Randy Stradley, the president and vice-president of Dark Horse Comics, respectively, so you don’t get much more impressive than that! The original story idea came from Stradley while he worked on the Marvel Star Wars run in 1984, of having an Imperial Guard out for revenge following the Emperor’s death. The story was not allowed, proving that you just have to start your own company if you want to produce your own stuff! The art of Paul Gulacy and P Craig Russell really helped to define what Star Wars comics were for me in these early forays. Much like that of Christian Gossett as I discovered Tales of the Jedi. There is an almost cinematic feel to the artwork, particularly in scene transitions and the like, but perhaps the single most amazing comic art I have ever seen is the reveal of Kir Kanos in the squall on Yinchorr, just before the climactic duel. That is just fantastic! It is, as always, the story that I’m so engrossed with, however, and the Crimson Empire story is just incredible.


As mentioned already, it takes place in 11ABY, where the New Republic is established but still struggling to make headway in the outer systems. The Empire is crumbling, but is now headed by one of the Emperor’s Royal Guard, Carnor Jax. It soon becomes apparent that Jax is in this position through subversion, and Kir Kanos is out for revenge. There is a major plot point that depends on readers being at least familiar with the events of Dark Empire, as Kanos’ flashbacks tell us how Jax came to rule the Imperial Remnant.

There is a wonderful feel of the fringe within this story. Jax knows Kanos is aware of his treachery, and his bounty has made Kanos a fugitive of the Empire. As such, Kanos is hiding out in the Outer Rim, where he attracts the attention of some New Republic envoys for killing a group of Imperials. As we learn more of Kanos’ story, Jax moves in to capture him, leading to a final confrontation on the training world Yinchorr, and that climactic duel between the two.

Crimson Empire

The issue of just how cool is Carnor Jax’ armour?! aside, the story is intense, a bit moody, but doesn’t forget that this is a Star Wars story, as many similar tales are wont to do. The Imperials lead a raid on the New Republic base on Phaeda, where we first see Kir Kanos in his full guard regalia. There is a massive pitched battle, during which Kanos shoots a TIE fighter out of the sky in what has become true over-the-topĀ Star Wars style.

Aside from two panels in which Luke Skywalker appears in Kanos’ memories, the only movie character to appear in this story is Wedge Antilles, now a general in the New Republic. This made such a massive impression on me as a lad, showing that there could be really compelling stories in this universe that do not rely on the Big Three. It’s something that I wish we could see a lot more of, rather than the odd tale here and there.

Something else that I wish for, the characters of the Crimson Empire series are largely confined to this series alone. While Carnor Jax is later said to have apprenticed under Lumiya as a Dark Jedi, the rest of the cast appears to exist in its own little vacuum. I would have liked to have seen Mirith Sinn referenced by someone in the New Republic, for instance, but never mind. Even Kir Kanos himself, while making an appearance in the Star Wars Miniatures Game in 2010’s The Dark Times set, only exists within the Crimson Empire world. Unless you want to count the RPG module Nightsaber, where Kanos appears on Dathomir under the alias of Burr Danid. Interestingly, however, the planet Yinchorr was revisited in 2000’s Jedi Council: Acts of War, where we see the place before the Imperial Training Center was established.

But that’s all a very minor point, and in no way detracts from the story! There is so much to enjoy here. First and foremost, as with a lot of the earlier Dark Horse stuff (ie, before the prequels came out), there is a lot of text, which is great for someone like me as I come to comics primarily for the story. But there are so many little things, like the Shadow Stormtroopers under Carnor Jax’ command, that can make fans like myself swoon in delight! (Incidentally, Shadow Stormtroopers and Agent Blackhole will most likely appear in a later blog, as that whole aspect of the Star Wars universe has always intrigued me).

Shadow Stormtroopers

Kir Kanos himself is a really compelling character, as I’ve already alluded to. Being an Imperial Royal Guard, he is one of the elite troopers serving the Emperor, whose loyalty is unwavering. To make him the protagonist of a comic book, let alone an entire series of comic books, was fairly new back in 1997, but it seems now that the concept has been over-done. The only other convincing tale that I have read in this vein is also by Randy Stradley – that of Janek “Tank” Sunber (the subject of yet another upcoming blog!), with Stradley writing under the pseudonym of Welles Hartley. Kanos is not a sympathetic character, as he is out simply for revenge on those he deems responsible for the Emperor’s death. Despite throwing in his lot with the New Republic, he does so only to further his own ends, and refuses to co-operate [SPOILER!] when he kills Carnor Jax [/SPOILER!]. There is, however, that honour and nobility about him, as he refuses to sway from his duty to avenge the Emperor and yet does not attack the New Republic folks he meets, which I suppose is crucial for his appeal to the readership. His vigilante-like activity, coupled with the artwork, actually reminded me almost of some sort of Clint Eastwood storyline!

Kir Kanos

Crimson Empire itself spawned two sequels. Crimson Empire II: Council of Blood came out from November ’98 to April ’99 and was notable, among other reasons, for introducing the character of Nom Anor, who would be taken over for an entirely different purpose by Del Rey’s New Jedi Order later in 1999. The third book, Crimson Empire III: Empire Lost was shelved for years before finally being released between October 2011 and April 2012. The stories follow Kir Kanos as he continues his revenge against those responsible for the Emperor’s death, first with the Ruling Council, then Luke Skywalker.

Crimson Empire

I’ve only read CE2 once, and have not actually read CE3, so will provide updates as and when I get to them. Crimson Empire itself, however, is such a huge part of my Star Wars life that it really deserves its own blog!

In addition to the three story arcs, three shorter comics have also been published, more like tie-ins to the main storyline. First of all, The Bounty Hunters: Kenix Kil came in October 1999 and explained why Kir Kanos is masquerading as a bounty hunter at the beginning of Council of Blood. Hard Currency came out in March 2000 when CE3 didn’t look too far off, then Third Time Pays for All came out in April 2011 as more of an official prequel to the third installment. All of these tales have been collected together into the beautiful hardback edition of The Crimson Empire Saga, which I can definitely recommend to folks who would like to see what all this fuss is about!

Crimson Empire

For people who have never picked up a Star Wars comic before, I cannot recommend Crimson Empire enough.

Buy it from amazon:
Crimson Empire
Crimson Empire II: Council of Blood
Crimson Empire III: Empire Lost

The Crimson Empire Saga

(As always, the artwork used in this blog is not my personal property, but is used for illustrative purposes. Please let me know if you own it and do not wish it used in this manner)