Hellboy (2004)

It’s time for Birthday Week to go to the movies! Continuing my obsessive look at all things Hellboy this week, I thought it high time I took a look at the movie that, for me, started it all. Of course, the comics pre-date the movie by more than a decade, but I wasn’t familiar with them before seeing Big Red in action here…

Hellboy (2004)

The movie is basically the origin story of Hellboy, picking out a lot of the threads that we see in the comics, and building on the Seed of Destruction storyline to give a satisfying main story overall.

We start with the Tarmagant Island incident in 1944, with Rasputin opening a portal and bringing forth Hellboy from another dimension, then we fast-forward to the modern day and the BPRD, with a new recruit John T Myers joining the team to work as Hellboy’s liaison. Very quickly, the action moves to a museum break-in where an ancient daemon known as Sammael has been awakened by Rasputin and his disciples, Ilsa and Kroenen. Sammael goes on a rampage, and while the Bureau believe it to have been killed, in actual fact two more have been birthed from its carcass, thanks to Rasputin’s curse of multiplicity.

Myers works to bring Liz back to the team, as she had previously left due to mistrusting her own powers of pyrokinesis. The team are sent into the sewers to attempt to destroy the Sammael eggs, and while most of the agents that accompany them are killed, they also manage to capture Kroenen. In reality, Kroenen had given himself up by feigning death and, once inside the Bureau, manages to kill Professor Bruttenholm. The Bureau is taken over by FBI agent Tom Manning, who directs a mission to Moscow to end the Sammael threat and, hopefully, that of Rasputin and his followers.

In Moscow, the team tracks down the nest in Rasputin’s mausoleum, and while Liz manages to incinerate the eggs, they are captured. Rasputin sucks out Liz’s soul from her body, and uses it to cause Hellboy to use his stone right hand to awaken the Ogdru-Jahad and bring about the apocalypse. Myers manages to reach out to Hellboy, however, reminding him that Bruttenholm raised him to defy his destiny and choose his own path. Hellboy stabs Rasputin, whose death throes release a tentacled monster that Hellboy manages to defeat by detonating a belt of grenades inside the beast.

Hellboy (2004)

For me, this movie really encapsulates the feeling of Hellboy from the comics. We’ve got the half-demon wandering about in graveyards and reanimating corpses, we’ve got him hunting disgusting daemon creatures – it’s really fantastic. While Ron Perlman does steal the show as the titular character, Doug Jones as Abe Sapien, and Selma Blair as Liz Sherman, also have their parts to play – though due to going through the backstory, I think Liz is definitely the more short-changed of the two. John Hurt’s Professor Bruttenholm lends a dignified presence to the movie, though I think it’s really the villains that provide so much of the enjoyment here.

Hellboy (2004)

Rasputin is quite the character, and Karel Roden’s performance is quite chilling at times, especially when he’s in his suit doing his puppet-master routine. Ladislav Beran as Kroenen is a whole different kettle of fish, though – creepy doesn’t even begin to cover it. Beran has a fluid grace that really sets your teeth on edge, and when he’s gliding down those stairs in Bruttenholm’s office… urgh, gives me chills to just think about it!

Hellboy (2004)

Kroenen is definitely the character that benefits the most from his movie incarnation. Everybody comes over from the page to the screen fairly similarly, but for Rasputin’s lieutenant, we have a sort of amalgamation of a couple of the comic book characters. He’s part Nazi scientist, with his surgical compulsion and all, and an expert assassin – a less-mad Red Skull, I suppose. He’s the embodiment of almost the entire Nazi scientist enclave that exists within the comics, and I love how del Toro has managed to distill so much down into the character. Truly wonderful.

Something should also be said for the way the story is handled. It is often said that this movie takes Seed of Destruction as its starting point, but the Sammael threat is so far removed from that of the frog monsters that I don’t really think we can talk about them together. The story is an original one that nevertheless takes the essence of the comic book story and makes it work.

Hellboy (2004)

I’ve not seen the new movie, but while this one exists, I don’t think there’s a need for it. I’ve read the film was a flop, which is a shame, as I think the Hellboy universe really would benefit from a big screen showing, branching off into the BPRD proper and all, but part of me wonders if this failure might then allow for del Toro and Perlman to come back for the Hellboy 3 that we’ve heard teased over the years?

Hellboy: part two

Hey everybody!
It’s still birthday week here at spalanz.com, and all week I’ve been rambling about Hellboy in my own, inimitable style! Today sees a return to the comics that started it all, as I turn my gaze onto the third and fourth books in the trade paperback series!

View this post on Instagram

#Easter #Hellboy

A post shared by Mark (@marrrkusss) on

Unlike the first two, these books are basically short story collections, bringing together one or two-issue books into the trade paperback format. The stories span a wide expanse of both releases and also points on the Hellboy timeline, with escapades from the 1950s right up to the 1990s, in-universe. They’re a mixed bag, ranging from the two-page Pancakes right up to such monumental stories as Box Full of Evil. I’m not going to attempt to cover all of the stories contained in the books, but instead touch on a couple of what I consider my favourites…

The Chained Coffin & Others collects seven stories, of which we have Mignola’s favourite, The Corpse, as well as three fairly substantial stories that have a long reach throughout the lore. The titular Chained Coffin story tells something of the origin of Hellboy as a half-daemon, following Hellboy as he returns to the ruined church in East Bromwich where he first appeared in 1944. He has a dream of a woman recanting on her deathbed her sins of being a witch, only for her soul to be claimed by the daemon Azzael who then turns to Hellboy, calling him “my favourite son”. It’s quite a short one, but we learn a bit more about Big Red’s ancestry, so definitely worth a mention!

the wolves of saint august

The Wolves of Saint August is a werewolf story that has a bit of a creepy feel to it, but then I suppose that’s true of most of these stories! There is a very definite sense of atmosphere in the tale, as we follow Hellboy and Kate Corrigan as they investigate an abandoned village in the Balkans. It’s really very creepy and atmospheric, and well worth the read to see how the tale unfolds for itself! Finally, Almost Colossus follows on from the events of Wake the Devil, as we see the homunculus from Czerge Castle run amok with Liz Sherman’s powers. The team track it down in order to restore Liz’s powers, as the homunculus has been sapping her will to live. We get a bit of backstory on the whole thing, and the hilarity of the fact that Hellboy names the chap Roger… anyway!

The Right Hand of Doom is a similar collection, bringing eight stories together in roughly chronological order, starting with the two-page Pancakes story and building up from there. There are plenty of short tales that often feel more like vignettes from the universe, as we see a lot of stuff breeze by like the Japanese floating-heads story, the St Leonard’s Wyrm story, and the Vârcolac story. They’re stories that were written for much larger collections, and serve in their original outing to give a sense for what Hellboy is all about. Reading them in this format doesn’t really work, for me, as they all just feel a bit like throwaway adventures that don’t feel like they add too much to the overall storyline, as much as any such thing can be said to exist in this sense.

right hand of doom

The final two stories, however, are a bit more meaty. The Right Hand of Doom does go someway to address the existence of Hellboy’s stone right hand, though it is yet another account of Hellboy’s history up to this point, as Hellboy explains his story to the son of Malcolm Frost (one of the three paranormal investigators present in East Bromwich on the night Hellboy first came to earth). Not an origin story per se, but certainly hitting all of the story points that we’re by now familiar with.

Box Full of Evil is the final story, and finally we get Hellboy and Abe reunited for an adventure! The two are investigating the strange reappearance of Igor Bromhead after his release from prison. Bromhead, using a hand of glory, has broken into an English mansion and removed a small box and a set of tongs, which the two BPRD agents immediately realise have links to the legend of St Dunstan, who is said to have trapped Satan in a box. Bromhead releases the devil, taking the form of the daemon Ualac, and when Hellboy arrives, his destiny to bring about armageddon is once again addressed. The story is really quite involved, and feels like it has a lot more substance to it than the others that appear in the volume, so was definitely a fitting finale!


I think I definitely prefer my Hellboy stories to be longer tales than the sort of one-shot stories we have collected in these two books! That’s not to say that they’re bad, per se, it’s just a lot more satisfying to read a fairly meaty story that can bring the full depth of Mignola’s talent for weaving folklore and myth into his universe. Wake the Devil is the archetypal story at this point in the lore, and I feel like most of these other tales are merely background.

Nevertheless, I enjoy seeing Hellboy taking part in an adventure that manages to pull together one or two elements of folklore and superstition, and it all helps to add to the character overall.

I think it’s quite informative to fans of the board game to read these stories, as they go a long way to explaining a lot of the enemy miniatures that have been included there. I must admit to feeling a bit puzzled when they revealed minis for things like the monkey with a gun, or St Leonard’s Wyrm, as they’re hardly the more important aspects of the Hellboy mythos. However, as I said in my blog about the game, the Hellboy comics are – largely – made up of these sorts of vignettes and short tales that feature Hellboy going up against some aspect of folklore or myth, which is why the modular design of the game and its one-shot-style play fit so well. If you read the comics, you realise that this isn’t really a campaign, but instead a series of standalone adventures with a rough chronology that can, on the whole, be enjoyed by themselves.

They’re definitely worth a read, anyway!!

Hellboy: The Board Game

Hellboy the board game

It’s birthday week, and it’s Hellboy week, so it’s only right for this week’s game day to take a look at the recently arrived behemoth of a board game! It’s Hellboy the board game from Mantic Games!

Originally touted on Kickstarter almost exactly a year ago, the game smashed through its £100k funding goal, eventually getting to almost £1.5million during the funding period. Ironically, of course, this isn’t really that impressive for Kickstarters these days, though I suppose for a licensed product from an established company, it is fairly standard. Designed by James Hewitt, the brains behind none other than the recent Necromunda Underhive from Games Workshop, the game is basically a dungeon crawl, with the heroes going through a series of encounters with enemy minions as they make their way through the board towards the final boss enemy. Pretty standard fare, I’m sure you’ll agree. The system is pretty straightforward as well, without anything as complex as the classic dungeon crawler Descent.

Hellboy the board game

The game begins with the Agent phase, where each hero gets the chance to make three activations. It’s a co-op game, so you can mix and match just how you make these activations – if you’ve got a better explorer character, they might be the best choice to look into a room, before the heavy hitter can then wade into the fray and start punching things.

Once the Agents have had a go, there is the Doom phase, where the Deck of Doom advances (basically the game’s version of an AI, responding slightly to the hero actions) and the Impending Doom marker advances – this can trigger the end confrontation with the enemy boss, so acts as a bit of a timer for you.

After cleanup, the new round begins with the Enemy phase, where any enemy minions on the board get to do stuff based on a keyword activation system. The whole thing is fairly slick, and there is a tutorial game included in the box to run you through the process to get started. I’ve played the tutorial twice now, and think I’ve got a fairly decent grasp of how things go as a result.

Hellboy the board game

The game isn’t really designed as a campaign system, but more as pretty much a traditional board game – you sit down, you play, you pack it all away. There are four Agents included in the game (a whole lot more in the Kickstarter edition, though I believe the game currently only supports four-player tops), each Agent coming with two Starting Gear cards. You also get to choose a piece of kit that might come in handy from the Requisition deck – each card has a cost (such as the Warding Talisman, above, costing 3), and depending on how many Agents are on the trip, you get a budget to spend on these cards. It’s fairly thematic without being overly complex. However, as far as customization options go, that’s pretty much it.

It’s worth noting, as well, that Agents can only shoot if they have a ranged weapon card, whereas they can usually always make a melee attack due to having fists or whatever. It’s something that I felt wasn’t entirely clear in the rules, and while it probably won’t always come up, you may find yourself trying to shoot with an Agent who actually can’t do so.

Hellboy the board game

The game leads up to a Confrontation, usually with the big bad guy of the scenario you’re playing – in the tutorial game, that’s the Giant Frog Monster. These chaps are quite beastly, but with some lucky dice rolling, I’ve managed to survive fairly easily. I think this is probably due to the dice mechanic of the game.

During the course of the game, you get the opportunity to examine clues, which will in turn allow you to advance the Information Gathered track. This track also contains tokens at specific points – if the track is advanced beyond these points, you collect the tokens which, during the Confrontation, allow you to upgrade dice you roll when attacking the boss. The dice system is probably the most unique thing about the game that I’ve come across. On the agent sheet shown earlier, there are four skills shown in colour-coded blocks in the top-left corner. Hellboy has a melee characteristic of red, a ranged characteristic of yellow, and both examine and defense characteristics of orange. The dice system runs from yellow dice (worst) through orange (medium) to red (best), with black dice for super-best. When making a test, you roll three coloured dice plus the blue effect die – this die can be brilliant for you, doubling the highest-scoring die result, or removing it, and all sorts in between. It’s really quite a cool mechanic, and all sorts of in-game effects can improve or reduce your dice efficacy, such as having monsters in the same board area as you, etc.

Having two information gathered tokens during the Confrontation meant that Hellboy was punching the Giant Frog Monster with two black and one red dice, however, and during my second game with Hellboy and Johan, I made some spectacular rolls for both of them, meaning that, even though Johan was nearly dead (well, dead-er), I was able to defeat the monster after only a single activation of the big bad guy.

Hellboy the board game

The miniatures are pretty decent for gaming pieces. Since I became a Warhammer nerd, I’ve become super critical of these things, but even the plastic pieces are really quite nicely detailed, overall. I didn’t get the resin miniatures, but I’d imagine they’re even more detailed.

The Kickstarter box is an absolute beast, and certainly the biggest game I’ve ever bought. It manages to fit the core game and two full expansions inside, as well as a host of the Kickstarter stretch goals unlocked throughout the campaign. I find this quite an exciting experience, and quite interesting in the way that Kickstarter games work. I’ve basically bought a core game and two big-box expansions, with maybe three or four smaller expansions on top. I suppose I’m just used to buying into games at a slower pace!

Hellboy the board game

In addition to the core game, we get the Conqueror Worm and the BPRD Archives expansions in here. Conqueror Worm is a new scenario, alongside Nazi minions and, of course, the giant Worm itself as a boss miniature. The BPRD Archives expansion is a curious beast, as it is basically a whole collection of standalone scenarios that allows you to create whatever game you want. Rules for setting up the board, including which minions and bosses to fight, are all included on tarot-sized cards, and there is a veritable menagerie of enemy miniatures included for you to battle. I’ve not tried that method of play yet, but from briefly looking through the process, it seems quite straightforward, and there are promises for future expansions to include stuff for this deck constructor mode, ensuring that you can always use this expansion to create new games with the mountain of stuff available!

So far as Kickstarter exclusives go, there seems to have been a bit of a redesign for their inclusion in the box, and I do quite like it. There’s a design blog from James Hewitt that talks about how these things work, and the original concept of villains with their own Confrontations has shifted to the more modular inclusion of Fiend cards that allow these Lieutenant-style baddies to show up without waiting for the very end. I like this because the game can otherwise feel like a massive swing – from one minute battling minions to suddenly having a huge beast to contend with.

There is part of me that wishes we could get some kind of reward for defeating such villains, though I suppose I’m just thinking on a simplistic level. It’s not like every bad guy is carrying round bags of gold that they drop as soon as you defeat them!

On a similar note, I’ve seen a lot of people express disappointment online for the lack of a campaign system, and the inclusion of the sandbox-type BPRD Archives expansion seems to have been an affront to such people, who feel it lazy or somesuch. Personally, I think it’s a terrific way to expand the game, allowing for a whole lot of replayability, and the random-encounter feeling of the game is very much in keeping with the fairly random-encounter feeling of the comics. Sure, the storylines do weave in and out of each other, but there are a lot of one-shot-style adventures our intrepid heroes embark upon, and that is quite decently replicated here. It’s great for people who want those kind of one-off games, and you’ve got to remember, Hellboy pretty much exists as he is  in the comics: he doesn’t really level-up and become better at what he does, he just does it all the way through. Not saying he doesn’t learn lessons of course, but that’s what the Information Gathered track is there for.

It’s also how James Hewitt originally envisaged the game design, being modular and customisable like this.

I like it, anyway!

Hellboy the board game

Backers still have the Box Full of Evil to come, which features some more Kickstarter stretch goals and two mini-expansions, not sure when we can expect that to arrive at the moment, but hopefully it’ll arrive soon. In the meantime, it’s not like I don’t have absolute masses of game material to wade through and enjoy!!

Hellboy: part one

Hey everybody!
This week marks my fifth year of blogging here in my quiet corner of the internet, and to celebrate, I’m taking a look at one of my favourite comic books, the classic Hellboy. Let’s start with the first two books, Seed of Destruction and Wake the Devil.

Hellboy 1 & 2

Seed of Destruction is very much the origin story for Big Red, and while creator Mike Mignola had previously written a short story introducing his concept for the character, it’s here that we start his story proper. Back in December 1944, in East Bromwich, England, American troops and three paranormal investigators are drawn to a convergence of energy that seems to indicate something is about to happen, thanks in part to the precognition of England’s premiere medium, Lady Cynthia Eden-Jones. However, at the critical moment, Lady Cynthia realises it is far to the north that a second epicentre has opened – it is there that the Nazis have gathered, led by a mysterious monk figure who is intent on opening a portal to another dimension to bring about the end of the world and allow the Nazis to claim victory in the war: Project Ragnarok.

While the portal is opened, it is in East Bromwich that the agent of that doom appears – a tiny red “ape” with a stone right hand. The Americans dub him Hellboy, and take him with them back to the USA, and the Bureau for Paranormal Research and Defense (BPRD).

Years later, Professor Bruttenholm finally returns from a two year polar expedition. Bruttenholm, one of the investigators from East Bromwich and Hellboy’s surrogate father, is recounting some of the adventure to the now-mature half-demon when frogs start appearing, and the professor himself is killed by a frog-monster. Hellboy manages to kill the creature, however.

Following the trail of the frog monsters, Hellboy and his colleagues Liz Sherman and the amphibious Abe Sapien travel to Cavendish Hall, home of two of Bruttenholm’s companions on his polar expedition. Lady Cavendish reveals that her family has been inexplicably drawn to the arctic for generations, but the death of her two sons on the expedition might finally mean an end to this. Further investigation brings Hellboy into direct conflict with the monk-like figure who led the Nazis in 1944, none other than Rasputin. He wishes to awaken the Ogdru-Jahad, the seven gods of the apocalypse, and destroy the earth. Rasputin has captured Liz, and attempts to use her fire-control abilities to augment his own and awaken the Sadu Hem, a mystical totem brought back from the arctic by Bruttenholm and the two Cavendish brothers before they were transformed into frog monsters. The Sadu Hem should then have the power to awaken the Ogdru-Jahad, however Abe manages to spear Rasputin through the chest (with the help of the zombie-like Elihu Cavendish, founder of the dynasty) and rescue Liz.

Wake the Devil pretty much picks up where Seed of Destruction ended, with Rasputin’s disciples from the 1944 project – Ilsa Haupstein, Karl Ruprecht Kroenen, and Leopold Kurtz –  coming out of a deep freeze in a castle high up in Norway. Meanwhile, the Bureau is tasked to track down the body of Vladimir Giurescu, an almost-mythological figure who is believed to be immortal, and was once hoped to head up one of the Nazis many doomsday projects, ‘Vampir Sturm’. The BPRD teams up to track the body to three separate locations within Romania, where Hellboy quickly finds himself at the correct location, coming face to face with Ilsa Haupstein, and her attempt to revive Giurescu.

Others on the team land at different sites in Romania, and Liz’s team discover an unusually large homonculus in the ruins of Czerge Castle. The homonculus attacks them, attempting to drain Liz’s energy, until Bud Waller manages to shoot it, causing it to run off. Meanwhile, Ilsa sets the cyborg Nazi Unmensch on Hellboy, the two having a massive fight that eventually leads Hellboy to a room in the castle where Giurescu is being revived by the goddess Hecate, who turns out to be Giurescu’s mother.

Hellboy battles Hecate, while Rasputin promises Ilsa immortality if she is willing to step into an iron maiden. The torture device kills her, but is placed at a crossroads with a chained Hellboy just as Giurescu comes back to life and tries to kill him. Hellboy defeats Giurescu, a fragment of whose soul then enters the iron maiden. However, in the extraction from Romania, the BPRD manage to lose the body of Giurescu, and the iron maiden mysteriously disappears.

Hellboy frogs

The first two books in the Hellboy series are absolutely cracking. While the first story remains relatively straightforward in the telling, with some folklore thrown in among the tale, by and large it is the story of a mad monk attempting to bring about the end of the world, using frog monster minions to do his bidding. The initial backstory of Project Ragnarok is there, but only to form the initial backdrop to the main tale.

In the second book, we have what Mignola is perhaps best at, weaving mythology and folklore into a story that also takes in the mysticism of the occult and linking strongly with Nazi scientists, to provide a wide-ranging, highly-textured and detailed storyline. While Seed of Destruction is perhaps required reading to give you the background, Wake the Devil is really what Hellboy is all about, and manages to encapsulate the character and the series in just one book.

I think it’s incredibly impressive the way Mignola manages to treat all the various threads of folklore into the narrative, and it’s a bit of a treat to see the way these tidbits manage to make it into the storyline. Overall, the dark gothic feel of the Hellboy universe is wonderful and these first two books in the series really help to put you on the road that the Hellboy books travel.

There is so much to enjoy in these books that I can barely convey the breadth of the story in this review. I’ve tried to hit a lot of the points because I think there will be significant mentions and stuff later on, but I’m now a bit worried that I’ve made it sounds slightly muddled in the re-telling!

I’m 5 years old!

It’s birthday week here at spalanz.com, and today not only marks Easter Sunday for those of you who like to gorge on chocolate eggs (such as myself), but it’s also the 5th birthday of my blog! Who’d have thought, after such inauspicious beginnings back in 2014, I’d be here now?! Well, I’m not exactly sure where here is, as I’m usually just found rambling on about miniatures or books or comics, really.

It’s to comics that we’re going to be turning in the coming week, however, as I return to my time-honoured tradition and mark the birthday week with a series of blogs devoted to a favourite thing in multiple media. For my 5th year of blogging, I’m going to be talking about Hellboy!

No, I still haven’t seen the new movie, but if I’m honest, I liked Ron Perlman’s Big Red far too much to be interested in anybody else trying to don the right hand of doom. You can expect me to ramble about the 2004 movie, it’s 2008 sequel, the comics, and of course, the new board game!

Hellboy

Back in 2004, I saw the original Hellboy movie and was a little bit obsessed. Pretty much instantly I bought up all of the graphic novels that were out – just the first five, at the time – and pretty much devoured them in a weekend. It was glorious. But then, my enthusiasm seemed to shift as Elektra came out, and I started delving pretty heavily into Marvel. It was around the same time as House of M, and so I ranged pretty widely, forgetting about Hellboy and the BPRD. Over the years, I’ve been keen to get back into it and rediscover the first five chapters of the story, but also see what else the comics have to offer – I was pretty surprised to discover how many books are in the library now for the beloved half-demon! This coming week, then, I’ll be returning to my “roots” with the story up to Conqueror Worm, and then in the months and years to follow, I plan to continue my look at the graphic novels for the BPRD, and various spin-offs from the main storyline.

Happy Birthday to me…

Catching up with the world

Hey everybody!
It’s been a while since I’ve caught up with the wider goings-on of the world, it seems, having been focused almost exclusively on the world of Warhammer for quite some time here on this blog, so I thought I’d take some time today to have a look at what else has been going on, and share some musings with you all here! You know you love it.

My mate Tony sent me the trailer for Dark Phoenix last week, which was a total shock as I hadn’t been aware that Fox were continuing their X-Men reboot past Apocalypse. I really like those movies, even if the third one fell a little flat, and the trailer here looks to be along similar lines as the existing trilogy, so I’m really looking forward to this one. Hopefully it’ll continue the theme and be a really classy film, overall. I suppose it can’t be any worse than the last time they tried to do the Dark Phoenix storyline, though…

Looking at some of the info online around the film, it seems like the cosmic elements of the original Dark Phoenix comic book are being introduced in this film, which is an interesting slant. Previous X-Men films have always tried to take a very grounded, real-world approach to things, so it’ll be interesting to see if that can be maintained while also including the Shi’ar. I guess we’ll see in February! While it seems the reception of this trailer hasn’t been particularly stellar, though, I am looking forward to seeing the movie.

I don’t get to read a great deal of comic books these days, though have always been more a DC boy when it comes to the original source material. I think I might try and get into that again once I’ve finished reading the current tome I’m enjoying, the fourth CJ Sansom historical novel Revelation. I’ve been reading those books since Christmas, and they’re really quite enjoyable! If a little weighty…

Anyway!

My wife is a huge Harry Potter fan (I do enjoy the franchise as well, though have always preferred the novels to any attempt at visual media), and has been excitedly talking about the upcoming second Fantastic Beasts film. I did enjoy the first one, I thought it was really interesting to explore the magical world in another locale from a British boarding school, and 1920s New York was a lot of fun. The surprise link to the Gellert Grindelwald storyline was nicely done, and I was somewhat excited at the idea of seeing a series of these films – while I wasn’t a fan of the Harry Potter films themselves, I think that was due to the fact I vastly preferred the books. We watched the trailer for the second film the other day, and it does look like it should be another exciting installment, at any rate!

Of course, there is the whole Nagini casting controversy, and I’m not about to get into that, but suffice it to say, I do feel sometimes that these things get blown too much out of proportion. If the actress cast in the role is happy with the ethnic choices made, then I think she’s better qualified than me to make that sort of judgment. So let’s see how the film turns out when it’s released in November…

The Wilds of Rhovanion

Let’s turn to games now – and I want to start with Lord of the Rings LCG. I’ve often mentioned this game on my blog here as my all-time favourite, and while that accolade hasn’t changed, I haven’t played this game for the longest time. Indeed, I haven’t even caught up with the latest deluxe/cycle yet, still having not properly played the game past The Lost Realm. I really, really love this game though, and the latest preview for the fourth adventure pack in the new cycle has gotten me really keen to get back into it.

I have previously played this game with the other half, and she didn’t mind it too much due to the co-op nature of things, so I’m wondering if I might try and re-introduce it at some point soon. Though it would be no big deal if it didn’t go down too well – I absolutely love the original Shadows of Mirkwood cycle, and am fairly chomping at the bit to try my hand at some of those quests once again! I do need to try and catch up with the releases though, and see what I have waiting for me to discover. I feel like the Ered Mithrin cycle may well be the game’s last, in light of how much the e-version of the game is being pushed, so I think it’s something of a priority to get everything before it’s too late!

Arkham Horror LCG

I also tried to introduce the Arkham Horror LCG a short while ago, but that one didn’t go down quite as well. I was also surprised at how much more difficult that game becomes with an additional player in the mix – I do enjoy the universe, for sure, but I think, all things considered, I might leave off with this game when the current cycle ends. I’ve not been good at playing this one, sadly, so while I’ve been buying the new packs as they’ve been released, I actually haven’t played anything beyond the core set. Definitely need to get my act together on that front!!

The Autumn is one of my favourite times of year, not only because the countryside looks great with all the leaf-changes going on, but because I have fond memories of gaming – both with regular tabletop games, and getting into Warhammer 40k. I don’t know if I’ll get to explore anything too intense like that old favourite, Runebound, but I think it’s definitely high-time I looked at something beyond the grim darkness of the 41st millennium.

Heroes of Terrinoth

Speaking of Runebound and the Terrinoth universe, there has been a new preview up for the upcoming Heroes of Terrinoth co-op card game, which continues to excite me! It feels like this game is going to be something of an enjoyable fantasy game, and the fact that it’s co-op should mean it’ll be a lot of fun, so I’m cautiously hopeful it will live up to my expectations. It seems like it should be a nice return to those sorts of hero-driven Terrinoth games like Descent and Runebound, rather than the faction-driven Runewars and Rune Age. Not that those games aren’t a lot of fun, of course, but I do prefer the older style, personally!

When it was originally previewed, I thought it was going to be another LCG, which had initially excited me, but now I’m quite glad we’re not going to be getting that particular model for this one. I think the endless demand for more adventure packs could prove to wear quite thin with this sort of game, as the danger of getting bland, generic quests becomes too real. Lord of the Rings has surprised me in some respect by managing to sustain itself to become the juggernaut of an LCG that it is, though I think that is more due to the fact that it is working within an established lore, rather than anything else. Terrinoth is no Middle Earth, and burnout is a real possibility. I’d also be happy to see one small-box expansion per year for such a smaller-scale card game, depending on how interesting the core set turns out to be. FFG have previously expanded their games unto death, of course, but I do like to think that maybe we could get one game that isn’t expanded for the sake of it. In that respect, their Blood Bowl: Team Manager game was actually really well-implemented…

I’m not sure how much mileage this game will have, and part of me does worry it could tank like FFG’s Warhammer Quest game, but I do find myself hoping that in actual fact we get something that is enjoyable and fun, and it’s another of these games I find myself hoping that I can bring to the table with the other half. I’ve previously bemoaned the fact that boardgames have felt a little like they’re trying to appeal too much to the mass-market, following the board game renaissance and whatnot, but in this instance, I think it might actually be a good thing. I suppose we’ll see when it comes out!

The next expansion to Magic: the Gathering is going to be released on Friday, Guilds of Ravnica, and while I haven’t even had much of a chance to explore M19 yet, I am quite intrigued by some of the cards I’d seen during preview season for the upcoming set. While there isn’t any Rakdos in this set, it does have Dimir, another favourite of the Guilds for me, and I was interested by the fact that I found a lot of the Boros cards to look fun this time around. I’ll most likely be picking up some cards and seeing what can be done with them soon, of course, as I do like to stay somewhat current.

It’s a shame that Magic didn’t go down too well with the other half, as it’s a game that I do enjoy to a fairly large degree, but I think co-op games definitely hold more sway when it comes to gaming with the wife. Which is fine, really, as there are definitely more co-op games I enjoy than competitive ones!

Did you guys realise Spellslingers is back for season 5 already?! I sure didn’t expect to see that come round quite so soon! It’s funny, because I don’t know a lot of these people, but the show is so good that it really doesn’t matter all that much. Sure, it felt better in the early days when he played with people like Rob Simpson, but it’s still so much fun due to Sean being such a great person in general. It’ll be interesting to see how well this collection of guests knows the game, as I always feel those are the better episodes for me. Season 4 had some good content in that regard, so here’s hoping!

On the subject of MtG youtube content, I think I also need to catch up with Game Knights. Another show I sometimes find myself harkening back to “the good old days” when they had their friends on playing genuinely interesting decks rather than the more paid-promotion style things, it’s nevertheless a very entertaining show and I can definitely recommend it still!

But what is one of my blogs if I didn’t talk about Warhammer 40k at least a little bit?! You’ll be pleased to know that I’m progressing fairly well with my Van Saar gang for Necromunda, having been inspired to get going with it following my local GW announcing a specialist games night once more. For a while, none of the specialist games were allowed to be played in-store, for a very odd reason, so I’m glad to see that come back as it means I’ll be able to finally get round to trying the game out! I’ve been buying everything for this game so far, so I’m looking forward to seeing if my purchases have been worthwhile!

While I’ve not been painting a great deal of late, I have been slowly moving back towards my Tau army ideas, primarily following the Kill Team stuff. I’ll be picking up the Tau expansion soon after next weekend, I’m sure, as I’ve been excitedly putting together a Tau list that I want to try out soon. It does include a few Pathfinders, so I want to get round to painting up some of those so that I have the fully-painted team sorted and ready to go, of course!

I’ll probably come back here sometime soon for a proper painting progress catch-up though, so stay tuned for that!!

Wonder Woman

Wonder Woman

I went to see the new Wonder Woman movie on Friday night, and had an absolute blast! It was such a good movie, I can highly recommend it to you all!

The story is basically a very extended flashback, which begins with Diana Prince receiving a briefcase from Wayne Enterprises – inside is the photograph that is shown in Batman vs Superman of Wonder Woman during the First World War. Diana then basically goes on a reminiscence that lasts a little over two hours, of how she grew up on the paradise island of Themyscira, and shows us the Amazons in all their fighting glory. Paradise is shattered when Steve Trevor crash-lands a plane on the shores, leading to a group of German soldiers breaking through the magical barrier and battle the Amazons on the beach. While the warrior women are victorious, Diana’s aunt General Antiope is killed. Questioning Trevor, the Amazons refuse to aid in the war, fearing the involvement of Ares, the god of war. Diana, nevertheless, sails with Trevor back to the modern world of 1918, and arrives in London keen to get to the Front.

It turns out that Steve Trevor is working as a spy for GCHQ, and had managed to steal a notebook from the mad scientist Isabel Maru, known as Doctor Poison. While the British government fear it useless, Diana translates the text and discovers that Maru is working on a variant of mustard gas that uses hydrogen, meaning that gas masks would be futile against it. GCHQ refuses to sanction any further intervention, but Steve gathers a group of rogues to help him get Diana to the Western Front, and expedition that is granted an unexpected boon when Sir Patrick Morgan, a man propounding the need for an armistice to the War Cabinet, lends his covert support.

Trevor, Diana and their small band makes it across to Belgium, where the suffering of the common people affects Diana quite significantly. Refusing to wait any longer, she leaps over the top of the trenches in full Wonder Woman regalia and basically takes the German lines single-handed. Discovering that General Erich Ludendorff (who was actually a real-life figure during this time – the more you know!) is holding a gala reception nearby, and convinced that Ludendorff is Ares, Diana and the team infiltrate the party but Steve stops her from killing him. At the height of the gala, a gas canister is launched at the nearby village they had just liberated, and Diana rages at Steve for allowing it to happen. She rushes off to pursue Ludendorff, who has arrived at a military installation to oversee Maru’s new poison gas loaded onto an airplane to attack London. Diana kills Ludendorff, but is shocked to see that the soldiers have not stopped their work.

Ares now makes his appearance, he turns out to be none other than Sir Patrick! He and Diana fight among the compound, causing ridiculous amounts of damage, but Diana is still holding back. Steve manages to hijack the plane loaded with the poison gas, and flies it up into the atmosphere before blowing it up, sacrificing himself to prevent the attack. This sacrifice spurs Diana into resolving to protect humanity, and she finally destroys Ares.

Wonder Woman

This is a really great film! I’m not a big fan of period war movies like this, but it nevertheless managed to sweep me up for the ride! There were a lot of light touches peppered throughout, mainly through the comedy of manners style of juxtaposition with Diana and the rest of the world. Batman vs Superman came under such intense criticism for being so moody of course, so it seemed to be a big thing for the studio to attempt to recapture a lightness from the comics. Reports earlier in the year came in that predicted the movie would be a mess, but I think these are just symptomatic of the current trend to hate on anything that isn’t the MCU.

Wonder Woman does a great job of introducing us to a character that we’ve already met within the franchise of the DC extended universe, but also raises a fair few questions – like, what was she doing between this movie and her appearance in BvS? Gal Gadot is currently signed on for three movies, and this is her second. Will there be more Wonder Woman after the Justice League film? Should we get to see what Diana’s up to during the Cold War? The character could easily be taken for a trawl through time like the recent spate of X-Men movies, and if a sequel is anything like this first installment, I’m sold already!