Star Wars: Darth Maul Shadow Hunter

Following, to some extent, hot on the heels of the last book in the prequel timeline, Darth Maul Shadow Hunter takes place in the roughly 48 hours before The Phantom Menace begins. Darth Sidious has positioned Nute Gunray and his Neinoidian brethren at the head of the Trade Federation and, in retaliation for the Republic’s taxation of the Free Trade Zones, has told them to blockade Naboo, whose Senator Palpatine was one of the biggest supporters of taxation.

The problem that arises here is that Gunray’s deputy viceroy, Hath Monchar, has gone missing, clearly with the idea of selling the information about the impending blockade to the highest bidder, so Sidious sends his murderous apprentice to kill him. The Neimoidians, however, engage a bounty hunter to attempt to reel the wayward Monchar back in, and so we begin the manhunt.

On Coruscant, we meet down-on-his-luck information broker Lorn Pavan, and his protocol droid “business partner” I-Five. Desperate for money, the two meet with Monchar and agree to pay half a million credits for a holocron with the Neimoidian’s info. I-Five commits a bank fraud to finance the deal, but Darth Maul beats them to it and kills the Neimoidian, but fails to retrieve the holocron crystal due to the intervention of the bounty hunter Mawhi Lihnn. She blows up the domicile, forcing Maul to flee, but when Pavan arrives for the meeting, he is able to retrieve the crystal from the wreckage.

The manhunt goes up a notch then, as Maul is on the trail of Pavan. Meanwhile, Jedi padawan Darsha Assant is assigned to escort the Black Sun informant Oolth from the Crimson Corridor, a particularly rough area of the city, as her Jedi trials. She fails to do this, and Oolth is presumed dead when the two are attacked by hawk-bats. She returns to her master Anoon Bondara, who suggests they go to check before reporting it to the Council, but in the course of their investigation they discover the swirling maelstrom in the Force that is Darth Maul, and go to investigate. The two rescue Pavan and I-Five, and Anoon Bondara gives his life to allow for Darsha and the two information merchants to flee into the depths of the city.

The chase is on through the bowels of Coruscant, as the trio evade subhuman cannibals and Force-immune monsters before they arrive back in the Crimson Corridor, whereupon they are able to use a street gang’s secret method of getting up-levels and arrive in a disused power plant. Darth Maul, tired of continually chasing his quarry, hacks into the security cams to get ahead of them, and arrives at the power plant at the same time. He and Darsha duel, while I-Five uses a carbonite freezing chamber to allow for him and Pavan to survive the ensuing explosion that Darsha engineers, sacrificing herself in the process. Maul, using the Force to make sure, believes everyone to have died, and reports in to his master.

When they’ve thawed out, Pavan calls in a favour to get himself a ship to follow Maul to an orbital skyhook. He also asks for I-Five to be delivered to the Jedi Temple, but unfortunately his associate takes the opportunity to steal the droid. Meanwhile, Pavan travels to the skyhook and is able to retake the holocron due to having a Force-nullifying skin nodule from the earlier encounter in the labyrinth under the surface. Pavan flees into the public area of the skyhook, and runs straight into Senator Palpatine, who takes the holocron from him and offers him help. However, there is no escape from Darth Maul, and Pavan is killed.


I grew up with this book, more so than with Cloak of Deception as that one came out later. I used to love it so much, as it’s such an enjoyable adventure across the planet of Coruscant, being pretty much entirely set on the capital world. However, re-reading the book for the first time in years this past week, it surprised me a little just how it has slipped down in my estimation. Cloak of Deception will, I think, forever be a 5-star book, but this one has dropped to just the 3-stars now.

I still like it, don’t get me wrong, but I think that the story doesn’t feel particularly like Star Wars. I mean, sure, it makes all the right noises, but it’s like more of a noir-type detective story that’s set in New York or something, or maybe even something like a Batman story. But with Darth Maul as the villain. The mean streets of the Crimson Corridor are straight out of Gotham, or Hell’s Kitchen, and it kinda surprised me this time around just how tacked-on the GFFA is.

Something that struck me this time around was the fact we never follow up with the Neimoidians towards the end. Sidious calls them at the start, realises something is amiss with Monchar not being there, so sends Maul to look into it. The next time we see Sidious and the Neimoidians is in episode one, when they tell him about the Jedi ambassadors. I feel like we need some kind of closure there, even if it’s “your wayward colleague has been dealt with by the Sith – never lie to me again, Viceroy” or something. But I realise that this is a very minor thing!!

Lorn Pavan is an interesting protagonist, with a very interesting reason for disliking Jedi, but does suffer a bit of the Marty Sue complex – indeed, he’s even described by an alien bartender in glowing terms, which is just awkward. I-Five has always reminded me of Bender from Futurama, which I find hilarious when I think back on it. He is an interesting idea, and almost the precursor for Lando’s L3 in Solo, being free-thinking and all. I’m glad he crops up again in later stories, and I think I might actually add in the Medstar duology to my reading list as a result.

Darsha Assant is another interesting idea, a Jedi padawan failing her mission completely, but her growth along the rest of the story is really interesting to watch. I get the feeling that she passed her tests, after all. I’m not exactly annoyed with her, but what she represents. It’s fairly well-documented online and beyond how Episode I destroyed a lot of the mystique of the Force by bringing in midi-chlorians. Now, stuff like Darsha’s story here, at least how it starts, really abuse this further, as the Jedi trials become basically a final exam before graduating from university, and it’s just utterly ridiculous to me. I get that there wasn’t really anything in the established canon at this point to support my ideas of what the Jedi were, but the prequel trilogy really does a good job of making them a corporation (with Yoda as CEO), and material like this book just continue to reduce the situation down to something too worldly.

Another problem with the novel, I think, is it’s reliance on the movies. I’ve rambled about this before, but while Tatooine is a nothing dustball far away from anywhere, here it seems to be the planet in the universe where everybody plans to run away to – and while I get that he’s an information broker, Lorn Pavan’s knowledge of the geography of the planet is phenomenal indeed. We also have people surviving explosions by encasing themselves in carbonite. Hutt gangsters (because no other species will do), Gamorreans are the bodyguard species of choice, and so on. Obi-Wan Kenobi is really shoehorned into the story as being the one assigned to investigate Darsha’s disappearance, because clearly there are no other Jedi on Coruscant. It rather serves to shrink the universe, but that’s just my perspective, I guess.

All in all, it’s not a bad read. It’s not the best Star Wars story, but it’s a very straightforward book, and I don’t think it tries to be anything more than it is. It does stretch credulity a little, when the book takes place over roughly 48 hours, and the blockade is in place at the end of the story anyway, so you do finish the book wondering why Sidious was so worried about a potential leak if the timeframe was that short anyway. Surely he could adapt and just send the Federation out two days earlier than planned to blockade the planet? If there was some mention of the politics to justify that, it might have been a bit more believable.

But I do like to nit-pick here, and this is a book that I’ve read many times, so I’ve thought about these things a lot!

Up next is the big one, it’s the movie itself!!

Deck building in Middle Earth

Following on from yesterday’s post about my recent adventures in the shadow of Mordor, I thought I’d continue in that vein a little longer and waffle about my decks that I had built for the game, and share some observations on their performance, etc. I know that Lord of the Rings LCG isn’t a competitive game, and so it can seem a bit like it relies more on personal choice as to what you include in your deck, but nevertheless, I find this kind of thing interesting!

Both decks are tri-sphere, and so resource matching can be horrendous to manage at times! The first deck involves Aragorn (leadership), Legolas (tactics), and Glorfindel (spirit). I’ve got two attachments in the deck that go on Aragorn to give him the spirit and tactics icons, to help smooth that out, and there’s another attachment I’ve given to him that gives an extra resource each round. Nevertheless, it can be very tricky at times to get this moving in the right direction.

In a way, I do feel as though the resource match rule is the most punishing aspect of this game, as you need a total match, it’s not like the Star Wars LCG, where at least one resource needs to come from the relevant faction. Cards like Haldir, for instance, aren’t coming out until turn 4, whereas the encounter deck is at you straightaway, turn 1. I do often think about trying to implement a house rule of using the Star Wars matching system, but I think that could bring its own problems. The alternative that has also crossed my mind is having at least one free pass/starting with more than one resource token per hero when playing a tri-sphere deck.

Anyway, it’s beginning to sound like I’m complaining about the game, but this is a blog post about deck building!

Up until about 18 months ago, I played this game exclusively solo, with one deck of three heroes. However, since playing with two decks has opened up the multiplayer co-op aspect so much, I don’t think I’d ever go back! However, I think I’m still in that former mindset with using tri-sphere, and should probably think about shifting things around so that the two spirit heroes are together, and the two tactics heroes are together. Making decks dual-sphere decks are a lot easier to manage, of course, but I think that would potentially open up an issue as regards how the encounter deck targets the first player in the Vengeance of Mordor cycle.

See, having a good range of Ranged and Sentinel characters on both sides means (in theory, at least!) that I can attack and defend from both decks, no matter where the attacks are coming from. This is something that took me a while to get to grips with, if I’m honest, as the single deck approach meant those keywords were meaningless for me for so many years. As they tend to be in specific spheres, too, it would need careful planning to rearrange the decks, so for now I’m just plodding on!

In my Faramir deck, I have a spread of Song cards, the original Mirkwood Songs that grant different icons to the heroes they’re attached to. Now, invariably in this game, you’ll draw cards for the wrong hero, leaving one stuck with most of the tokens because you’re not drawing anything they can play. Perfect target for a Song, normally! I found it interesting in my last game, though, that no good target really presented himself, because I was drawing a good spread of cards so was managing fine – the best use I could put these Songs to was discarding for travel effects!

I suppose this is the interesting thing about this sort of card game, though. Due to shuffling your deck, your cards are randomised, so you never really know what you’re going to get next. Obvious, I know, but in practice this can mean you draw really well, or you only draw event cards whose triggers just aren’t coming up. Or you only draw leadership cards, meaning you end up with the Bank of Legolas or something.

This is why “search your deck” effects can be so useful, as not only do you have the chance to go look for exactly what you need, but you also (usually!) have to shuffle your deck afterwards. Any additional shuffle is usually very useful, I find – regardless of the fact that most of the game is often down to luck of the draw, it just feels good to shuffle your deck when you’re not drawing anything useful, because it feels like you’re going to change the game. Regardless of the fact that Galadhrim’s Greeting might well have been the next card you were going to draw, anyway!!

So, heroes having multiple spheres is very useful, the Ranged and Sentinel keywords are very useful, and being able to search for specific cards is very useful. The fourth “pillar” to all of this is, of course, getting multiple uses out of your characters, particularly heroes. Aragorn has this ability natively, of course, where you can pay one resource from his pool to ready him when he has committed to the quest. Given his all-round great stats, plus Sentinel, makes this really useful, but it does assume that you have the resources to pay for it. Light of Valinor is just made for Glorfindel, as it means the guy doesn’t exhaust to quest in the first place. Stuff like Leather Boots, which allow the attached to character to ready when a certain card is revealed from the encounter deck, is also really good, although somewhat situational. I mean, if Faramir has his boots on, and only enemies come out of the deck, you’re stuck with a Ranger character who can’t do anything to help out.

The gold standard in these types of cards is, of course, Unexpected Courage, which allows you to ready the attached hero, regardless of what has happened. I’m not sure a character can defend, then attack back, all that often, but this allows you to do that. (As another side note about the rules in general, I don’t understand why characters have to throw themselves in the line of fire without getting to retaliate. There should either be a kind of simultaneous combat, or a rule that allows a defender, if he survives the attack, to attack back before attackers are declared properly. But maybe that would skew things too much, as well).

The final subset of cards worth mentioning is not that well-represented in these decks, but I would say is still fairly important – the ‘cancel’ effect cards, and other generally playing-outside-the-rules. So cards such as A Test of Will, which cancels the when revealed effect of a card from the encounter deck, or the lore events that ignore the threat of a location or an enemy in the staging area, giving you some questing room. Direct damage cards are also useful, as they bypass the need for engaging enemies, though obviously there are Dúnedain cards that want you to be engaged. Tactics has a variety of cards that allow you to directly attack an enemy, which used to confuse me a bit because I thought I was engaging those enemies as well. Nope. Hands Upon the Bow, for example, let’s you attack someone at +1 to that attack, without the need for enduring an attack coming from that enemy first. It’s a really powerful effect, especially on a heavy-hitting hero tooled up with something like a Rivendell Blade, which reduces the defence on that enemy.

With all of these card types to take into account, along with a sprinkling of buffs and other one-time events, it’s no wonder I’m enjoying the game much more since I stopped playing just the one deck! In all honesty, playing two-handed has almost been like learning how to play the game anew, but it’s been really quite a great experience to see all of these effects and combos come out as I’ve done so! There will always be bad hands drawn, even after a mulligan, but sometimes, you get to draw Light of Valinor for Glorfindel in your opening hand three games in a row. And that, my friends, is glorious!!

A Shadow in the East

Hey everybody,
Today’s blog is perhaps unsurprisingly taking us into Middle Earth, following on from last week’s exciting discussion of new decks for the game! I’m currently investigating the later cycles for the game, having pretty much stopped playing the game regularly during the fourth cycle, The Voice of Isengard. So, even though this expansion was released back in 2018, it’s new to me!

A Shadow in the East starts off when the heroes are resting in Dale, after the previous cycle’s adventures had concluded. Envoys from Dorwinion, in the east, arrive with news of spreading darkness – disappearances, mainly, but with no army for defence, the people have turned to King Brand for aid. The heroes volunteer for the mission, and off we go!

The first scenario, The River Running, reminds me a great deal of the first scenario from The Voice of Isengard – being relentlessly pursued by enemies, this time, Easterlings. We have a tremendous amount of pressure exerted through the Objective card, which forces the arrival of more enemies every third round. Coupled with this is a set-aside Side Quest, and the annoying number of Treachery cards which, for this scenario, function as attachments for enemies! Don’t get me wrong, I like that mechanic, and was surprised it took so long to be implemented in the game, but even so, it does make things so much more difficult!!

Assuming that we make it out alive, our next task is to head for the city of Dorwinion, built on the shores of the sea of Rhûn. Here, we learn that people have been disappearing, so we head out into the city to investigate.

Danger in Dorwinion is the second scenario, and bears a striking resemblance to the first scenario from the Against the Shadow cycle, The Steward’s Fear. We’re running round a city, ferreting out a cult; we have a random cultist enemy to defeat, and a random objective revealed to affect the game. It’s almost like being back in the realm of Gondor!

This scenario plays greatly around the threat level, and everything coalesces really quite catastrophically for the heroes, the way that the encounter deck just keeps on raising the threat. I actually lost half of the team when the Faramir/Dúnhere/Elladan side threated-out.

If we’re able to survive, one of the cultist prisoners tells us that cityfolk have been taken to a hidden temple in the Hills of Rhûn, and so we March onwards!

The Temple of Doom concludes the deluxe expansion, and is interesting to me in that it was complicated in terms of how it shakes up the main rules, but didn’t feel impossible like some third scenarios can be. We have a quest deck where each stage goes into the victory display upon completion; the number of stages there informs the threat level of the boss, Thane Ulchor, who cannot be defeated until there are 4 stages in the victory display, and there’s a side quest that cannot be completed until Thane Ulchor has 0HP left, at which point we win. That side quest is working against us though, as every fourth round it’ll force us to draw from the Power of Mordor deck; we have another boss, the Tower of Barad-Dur location (which can never be traveled to, and reduces the threat elimination level by 5), and three obnoxious objectives. With just five cards in the deck, the maths-savvy among us will realise that this means we have 23 rounds to defeat the whole thing (if you cannot draw from the Power of Mordor deck, you lose). But there are also other effects going on that will speed this up – yikes!

For all of the complicated goings-on here, it wasn’t particularly bad to play through, as the encounter deck is predominantly location cards and treacheries, and both decks I was using to play have got significant willpower output when I get them going, which has happened really quite well so far in this play-through! Regularly throwing out 20+ willpower for the quest, with numerous ways to re-use heroes for combat as well, has meant that it was fairly okay. I’m not trying to call it easy, far from it, but it didn’t feel that bad.

I wonder if I would find some of the earlier quests easier with these decks, as they benefit from the entirety of the card pool…

Story-wise, we have an unexpected call-back to an earlier villain (is it a spoiler if we’re over 4 years since this came out?) and we seem to be firmly in Sauron-country for the foreseeable future. There is a definite Against the Shadow feel to this cycle so far, so I’m intrigued as to where the story is going to take us as we move further into the cycle.

Difficulty ratings are not really something that you can really trust, yet I was still surprised that Danger in Dorwinion only merited a 5, when I was just one round from losing. True, I’ve lost to Passage through Mirkwood before now, and that rating is 1, but even so, this feels much more difficult than The Dead Marshes, but both have the same difficulty! Interestingly, it also shares that rating with The Steward’s Fear. But perhaps there’s a perceived ease about The Dead Marshes, as I’ve played that scenario quite a lot now.

This kinda brings me on to the next point, anyway. These later quests really don’t feel like the same game as those earlier ones. Maybe I’m just too struck on the Shadows of Mirkwood cycle, but I do have incredible nostalgia for that one, and there feels like too much going on in these later quests to really give the same sort of feeling. I can’t quite describe it, but I much prefer my hundredth run through Emyn Muil, say, than these new things. Maybe I’m just becoming a grouchy old man…

For all that, though, I am really enjoying finally getting to see what the later quests are all about. They’re often difficult, with a lot to keep track of, but it’s good to play them all the same. I don’t think I’m going to be in for an easy time of it, however, as I head into the cycle itself!

Building an Army in Age of Sigmar (3rd edition)

The Age of Sigmar exploration continues!

After looking at the core rules themselves on Saturday, today I’m looking into the other half of that, army building. It’s a part of the game that can sometimes sound a bit too straightforward – you muster an army, then start throwing dice around as per the rules, which is where most of your focus ends up. However, there are some fairly stringent rules as to how you build your army, so let’s take a look!

I’m hoping to get my first game in on Friday, too, so this will be a useful exercise as I build my list for that!

It was first edition AoS that gave us the three ways to play that have become the norm for Games Workshop now; open, narrative and matched play. That’s still true here, and as with 9th edition 40k before it, a lot of the development has gone into narrative play this time around, as we get a new and improved Path to Glory system. Narrative play, as I remember it, used to be “historical” missions that would often stipulate how the game should run, even sometimes which armies should be used for each mission. Path to Glory has existed for the whole lifetime of the game too, first as an expansion book in first edition, then as a part of each battletome. Now, it’s very much like 40k’s new Crusade system, albeit simplified.

Open Play used to be a case of “bring whatever you want, and go smash!” – with correspondingly little time given to it. In third edition, open play uses points and features a battle plan generation system straight out of Warcry, which is interesting!

Matched Play is pretty much the standard though, I would say, with strict rules around points and how many of which unit types you can bring for each level. Third edition goes a bit further and suggests table sizes and number of scenery pieces for each size of game, as well. It’s interesting to see this development, and along with the player code and other bits and pieces, I feel like GW are more than ever trying to tell people how they should be playing the game. Which is a good thing, but being the eternal optimist, I just wish it didn’t have to be such a thing, you know?

For my first game on Friday, we’re playing at around the 600 points mark, because that’s how many points James can muster from his Slaves to Darkness. I’m still back-and-forth a bit, but I’m currently planning a list of Ossiarch Bonereapers. I had been thinking I would try the Khorne guys, but I don’t have their book, and I don’t really want to buy it when it could well be replaced in a year or less! Last year, I did a lot of work in a short space of time to get a lot of these guys painted up, as well, so I think it’ll be nice to get them on the table and see what they can do!

The points limits start at 750, and within this bracket I need 1 battleline unit, and can have 1-2 leaders. Everything else is 0-1 of, so I’ve decided to bring the following:

Mortisan Boneshaper (135 points), two units of Mortek Guard (140 points each), and one unit of Immortis Guard (190 points).

The Boneshaper is a wizard, and can natively cast an offensive spell but I’ve given him a second that improves the combat effectiveness of my other units. He also has the ability to heal units, which may be very handy! My two battleline units are the Mortek Guard (both sword and spear varieties). They strike me as pretty tough for basic troops, making two attacks per model, and with a 4+ save that their sergeant can allow them to reroll with his command ability. They also have exploding 6s that the Boneshaper’s extra spell changes to exploding 5s to hit. Nice! The Immortis Guard have a similar ability, whereby they can attack with their massive shields and dish out mortal wounds on 6s. Their command ability is to pile in and attack again with shields only once combat is finished, which seems kinda bonkers but I do love it!!

I’m going with the Petrifex Elite, which is the colour scheme for my army. Interestingly, their army-wide special ability used to be +1 to save across the board, but I seem to recall that was deemed too powerful so it is now worsen the rend of attacking units that target a Petrifex Elite unit. Could be handy, I suppose!

The big thing with Ossiarch Bonereapers is that they don’t get to use command points or command abilities, but instead generate relentless discipline points which can only be spent on their own command abilities. A recent Tome Celestial in White Dwarf has helped out with this a bit, by giving more options, but it definitely feels like the Bonereapers are getting a rough deal at the moment!

Now, there are a lot of other bits and pieces that go along with list building in Age of Sigmar 3rd edition which I’ll go over now, but which I’m not sure I’m using in this list.

First up, all of the old warscroll battalions are gone, instead we have new core battalions which grant you specific bonuses based on how you build your army. The only one I could use in this force is the Vanguard, which allows me to issue a command ability without using a command point, but both of those things don’t apply to my army, sad face. They’re interesting ways to organise your force, and while I don’t know much about the game yet, I don’t think they’re too broken…

Enhancements are the catch-all term for relics, command traits and all those lovely bits and pieces that I enjoy from list building in the past. Something completely new, though, are Grand Strategies and Battle Tactics. It seems like an effort to incorporate the Objectives stuff from 40k, but as I’m not a huge fan of that, I do find myself a bit lost here. I’ve chosen Vendetta as my Grand Strategy, which is basically Slay the Warlord.

Overall, it seems like list building in third edition is a bit tighter than last time around. I seem to recall it was a little bit faffy in second edition to find all of the rules that you need, but while there is more to it this time around, I feel like it’s getting better. I suppose I need to wait for my actual battletome before I can fully judge it though, to see what I can do these days!

The Witcher: Blood of Elves

I finished reading book one in The Witcher series on Friday, Blood of Elves, and I have to say, I’m very impressed. It’s a series of books that has been around in the original Polish since the 90s of course (Blood of Elves dates from 1994), but has really only hit the mainstream with the video game from 2007, I believe. The games merely use the characters from the series, but I understand that they don’t otherwise adapt the book material. Could be wrong, though, as I’m not a video gamer!

Book One in the series takes all of the stuff we learnt across the two anthology books, particularly from Sword of Destiny, and begins the story in earnest. I’d say that it also begins to pull all of the fairly disparate stories into a more cohesive whole, but honestly, this novel still has an element of the short story anthology to it. There are just seven chapters in the book, but they’re long, and almost disjointed enough to feel like separate stories.

We begin with Dandelion being tortured by a man named Rience, for details of the real people upon whom one of his popular ballads is based – notably, Geralt and Ciri. Rience is very interested in where the child is, but fortunately Dandelion is saved by Yennefer before any serious damage is done.

Roughly the first half then sees us at the Witchers’ keep of Kaer Morhen, where the sorceress Triss Merigold has been asked to help them deal with Ciri, who is having some strange episodes. The witchers haven’t tried to give her any of their elixirs, in part because it seems their infrastructure is collapsing, but they also have next to no understanding of female biology. It’s clear that she possesses some form of magical potency, and during one of these she tries to delve into the girl’s mind, with fairly disastrous results. Triss informs Geralt that Ciri needs a stronger mentor, and to see more of the world.

With the spring, Geralt, Triss and Ciri set off for the Temple of Melitele in order for Ciri to gain some more mainstream education. On the road, however, Triss becomes ill, and Geralt is able to seek aid from his old friend, the dwarf Yarpen Zigrin, who is leading a caravan on the business of King Henselt of Kaedwen, one of the Four Kingdoms. We get to learn something about the political situation, and the caravan is attacked by eleven marauders. It turns out that the caravan was only a ruse, to work out if Henselt could trust Yarpen.

The story then fractures, as we get to see Geralt on the hunt for Rience, whom he tracks down with the help of Dandelion, but whom escapes from him. We end with Ciri receiving a magical education from Yennefer, before the two head off from the Temple, amid rumours of a new war.


I enjoyed this one, although the chapters sometimes ran a bit too long for my liking. The way the story is paced did take some getting used to, as well, but overall I think it didn’t take too long to get into.

While it perhaps isn’t compulsory to read the anthologies first, I think I got so much more out of the story for having done so. There are references both huge and trivial throughout the book, and while it would feel just like any kind of fantasy story that begins with the fallout from a historical war, having read all of the preamble in the earlier books, I think the setting does become all the richer for it.

I also really liked the way the story was buttressed by the two educational styles. To begin with, Ciri is learning almost entirely how to handle a sword, and she seems to be pretty good at that, to boot. We later see her come into her own magically, and it seems likely she will be a force to be reckoned with in that arena, as well. She’s a really well-developed character over the course of the novel, becoming beautifully rounded out, and I found myself really invested in her story by the end. Interesting that the book should be sold under the tagline of The Witcher, when this really seems to be Ciri’s story.

As we know, Geralt is a Witcher, meaning he has undergone training and mutations to kill the many monsters that plague the land. However, only once do we see him in his professional capacity, and that is a sideline to his hunt for Rience. There is an excellent battle sequence at the caravan, though, which I enjoyed tremendously, and he does get to kick some serious ass during his fight with Rience. I hate to think of the shape that guy will be in if and when he shows up for book two!

We also get to spend a lot of time with Yennefer, and while in many ways she is as inscrutable here as she ever was in the short stories, we do get to have some insight into her as a person, and I think it helps to round her out more as well, rather than just being the woman over whom Geralt painfully pines.

There is quite a bit of politics and power-plays later in the book, but I definitely feel as though we need a map because I do struggle to picture where all of these kingdoms and cities are in relation to one another. There are some really interesting bits about the Wizard Council as well, and in general I think the world-building is great. In particular, the history of the elves is explored, and I was almost overjoyed to see that here we have a credible reason for just why the elves are an ancient race that is dying out.

In short, I think the first book in the series (book three if we’re counting actual volumes, though, but the first novel) is really good, and I’m thoroughly invested in just what is going on. I would have preferred a more in-depth discussion of the politics, or a map, to help with the bigger picture, but the character drama that is playing out has really sucked me in!

I’m reading The Witcher series with Dave, Milou and Jenn, and will be linking their blog reviews here in the fullness of time, as well!!

Learning to play Age of Sigmar (3rd Edition)

Welcome to my first musings on learning 3rd edition Age of Sigmar!

I’m sure there will be quite a few of these posts going up in the coming weeks, as I attempt to figure out what I’m doing with AoS. They’re probably more for my own benefit than anything else, but hopefully by publishing my thoughts here, experienced folks can tell me where I’m going wrong!

Very briefly, I think the game system is really interesting. While the free pdf has been called out as coming across as litigious because of the way each rule is numbered, I think this is perfect and in line with a few other games that I’m familiar with, so it’s not unexpected. Especially with a ruleset that can get cumbersome. It’s quite clear, and I think better than the 40k layout. The fact that the sidebar has useful clarifications is nice, too.

The game seems to broadly follow the same basic premise as 40k, which I think started when Warhammer Fantasy became Age of Sigmar with the famous four-page rules sheet, but has evolved and expanded into a much more filled-out game. It starts out with a player code, which basically amounts to “be nice”, and I like that a lot. While attempts are made to summarise basic rules concepts, I was surprised (like many players, I think) that engagement range wasn’t made a thing here – instead, “within 3” of an enemy unit” is used throughout.

There are six phases to the game. We start with the Hero Phase, which is basically the Command Phase and Psychic Phase from 40k. Generals get a command point for the army, and one hero can perform a heroic action. Wizards can cast spells, and Priests can cast invocations.

Next comes the Movement Phase, where units move up to their move characteristic, they can retreat from combat, and they can run (+d6 to their move). The Shooting Phase is next, where units armed with missile weapons can shoot them. Shooting seems to be very much an exception though, unlike in 40k, and within the rule book, actual combat rules are put into the combat phase. After any missiles have been shot, the Charge Phase allows units within 12” of an enemy to charge at them.

The meat seems to be in the Combat Phase, though. Both players alternate fighting with a unit, and there doesn’t seem to be a rule for all charging units to fight first. Interesting. At any rate, after a 3” pile-in move, fights are resolved with the normal roll to hit, roll to wound, roll to save. A big thing here is that it seems wounds spill over within the unit, so one attack doling out 3 damage can kill 3 one-wound models. Interesting. A unit’s saving throw can be modified by rend (AP) on the attacking weapon, and by cover if relevant. A unit can potentially get a Ward save once a wound has been allocated, which sounds a bit like magical protection or something, and can save against Mortal Wounds as well.

I find the development of Mortal Wounds kinda fascinating, as a mechanic that initially represented such devastating damage that you couldn’t possibly defend against it, to the sort of damage that was coming from everywhere, to suddenly being able to defend against it with special stuff, etc. I don’t know anything about the AoS meta, of course, but hopefully it’ll be a bit more sensible here, and mortal wounds will be a bit more circumspect. We’ll see.

At any rate, we finally have the Battleshock Phase. Here, you roll a d6 for a unit that has lost models, and add the number of models slain that phase; for every point by which the result exceeds the Bravery of that unit, another model flees. Coherency needs to be maintained, and if a unit of 6+ models has any that aren’t within 1” of two other models you must remove models until unit coherency is restored, same as 40k.

Overall, I like these rules. It’s interesting to me, that 9th Edition 40k has been somehow clouded for me, while 3rd Edition AoS feels much clearer and better, but it’s very similar. True, the Hero Phase is very different, but it strikes me that games of AoS would be much faster than 40k, and much more enjoyable, dare I say?!

I remember having this chat with the manager of my local GW back when first edition AoS was out, whereby the rules are quite straightforward but the bulk of the mechanics are within the warscrolls, and I think that holds true more than ever in third edition. With all of the allegiance abilities (roughly analogous to chapter tactics), and the command traits etc, it can become quite a task to work things out! But this comes from practice, I suppose, as you become more familiar with your chosen army.

Of course, I haven’t yet played it, so I could be barking up the wrong tree here. I think I played a couple of games with my Nighthaunt at the start of the last edition, and that was pretty good! I think there’s a huge attraction to fantasy for me, because it’s how I got started and all. Each time I find myself in this situation, it somehow feels like coming home for me, and I feel really positive about it all. So hopefully it’ll be a good time for all!

Converting miniatures (an opinion)

This is something that I’ve had bubbling around in the back of my brain for quite a few years now, and seeing as how I’m churning out all manner of blog posts right now, I thought I might as well try to get this idea on the virtual paper, as well.

The hobby of building, collecting, painting and playing with miniatures is diverse, and we’re all in it for our own reasons. There may be many overlapping reasons, but ultimately, what you do with your money and your time is entirely your own business (so long as it’s not illegal). In more broad terms, everybody has a right to be happy, so long as what makes you happy doesn’t infringe on anyone else’s right to be happy.

Hopefully you’re still with me, so far…

Something that I see and hear a lot, especially around new releases of miniatures, is “I would get one of those to convert up”, or words to that effect. That’s fine, converting models to make them more personal to you is a big part of the hobby, and for a fair number of folks, it’s almost the whole reason they’re in the hobby. I have no problem with people who convert miniatures, indeed some of that stuff is incredible to see. We see conversion guides in the pages of White Dwarf quite regularly as well, where alums of the Warhammer studio show off their efforts (always using 100% Citadel parts, naturally).

I think what bothers me is when people adopt a sort of hipster attitude to it, though, and try to make out that they would improve the original model because they have a better design vision than professional miniatures designers working in the studio. I remember it being a big thing particularly with Lauka Vai, Mother of Nightmares, above. She’s a very weird model, for sure, but that’s kind of the point. When it was shown off, I loved the fact that it’s literal nightmare fuel, but was told off by a fair few people because it needed converting up.

It’s the sort of attitude that is prevalent to a wide degree, with the half-joking “is this an Archon?” and “every new model is a Necromunda model”, which are both somewhat jokingly meant. I don’t watch his stuff much anymore, but I remember Kirioth would enthuse a great deal over new model releases with an immediate “I’d convert that”.

And I would always think, why?

What’s wrong with getting a model because you like how it looks? Well, apparently it means I’ve drunk the GW kool aid, or something, but I happen to like the look of a lot of the models that I own. It’s actually the reason why I bought them

I think it really bothers me when people make the announcement in that way, like they’re expecting praise for seeing the possibility for making it into something else. Sure, if you’re wanting to build a model to represent something, and then GW produce something else that would get you maybe 30% of the way there, then I get it. But the knee-jerk attitude of “I will get this and make something better from it” really bothers me.

Now, there’s I think a legitimate argument to be made about the lack of poseability in a lot of the new miniatures, which I do find rather baffling. I used to love the fact that Tactical Marines could be posed, and that they came with a variety of extra bits and bobs that you can you to further customise your force. But this is more about customisation, not conversion. At its most basic, a different paint job is customising your minis, but whether it’s adding bits and pieces, or hacking a model apart to make it look like it’s running, that’s all fine. When people complain that monopose miniatures make it harder to convert them, I just tune all that nonsense out. There are some great looking monopose miniatures out there – why would you want to convert the Master of Possession? Are you saying you’re better than Jes Goodwin?!

You might retort, but I don’t want my Master of Possession to look like all the rest. Well, that’s a very valid point, and I don’t really have a rebuttal for you. But then, this rambling post isn’t really aimed at that aspect of it. Wanting a miniature to look different in the scheme of your army is one thing – and if you want to include two of a miniature, but don’t want clones, then I get that too – but if you’re going to tell me that you have a fully-converted 2000-point Guard army that uses parts from 6-billion other kits to make something that doesn’t look like a Guard army, I’m not going to be impressed. Cue RDJ rolling his eyes so damn hard it hurts.

I think I resent the fact that I’m apparently not supposed to enjoy a model for its own sake, and can only like it for the opportunity it presents to make something completely different. That’s really what bothers me, and I think I’d the crux of this whole post. It’s like you’re being told off for having a lack of imagination, or something. I don’t buy a car because I think it would make a great spice rack.

You’re allowed to like what you like!

I would actually go one step further, and say that people are allowed to paint their Space Marines as Ultramarines, but I know that might be a step too far for many! (Ultramarines are great, remember!)

Of course, I’m not trying to tell people off if they also want to buy a model to make it into something else – as I said, conversion is a great part of the hobby. I just dislike that snobby tone where people seem to think they’re Truly Special (TM) for doing it, and the rest of us plebs can build our models according to the instructions, and presumably eat mud for dinner as well. I bought that Keeper of Secrets because I loved its pose, its insinuated deadliness, and not because I thought I could make it look better by using an Onager Dunecrawler for its legs, and a Treeman’s sword, and parts from a pewter model that was initially released at Game Day in 1995 (because I’m that cool).

Yeah, I know, I’m kinda ranting, but it’s all tongue in cheek. The main point that I want to make is that converting a miniature isn’t always some kind of brilliant move that ought to result in everybody bowing down before you.

If you start talking about “looting”, though, I’m going to have to walk away entirely…

Throwback Thursday

I don’t normally get into this sort of thing, but for a variety of reasons I felt the need to do so today! I think talking about a return to Age of Sigmar yesterday, more broadly about Fantasy in general, has put me in the mood, somewhat.

When playing Warhammer Invasion, I would almost always play as Chaos, and it’s a faction that I really enjoy a great deal. When it came to the miniatures, though, it took a lot longer for me to fall in with the ruinous powers. I’ve recently begun to work with some gusto on the Khorne Bloodbound models as a second army for Age of Sigmar, and I’m also still chipping away at the Black Legion for 40k. So I’m definitely feeling Chaotic at the current time!

The models tend to be absolutely beautiful though, whether it’s in the baroque majesty of the Khornate armour, or the lithe beauty of Slaanesh Hedonites. Which reminds me, I’ve got some of those mortal units still boxed up somewhere…

For me, there is a definite appeal to the Fantasy miniatures, I think mainly due to the fact that it was Warhammer Fantasy that initially got me into this mess. True, I never played the game, but there’s a lovely sense of nostalgia attached to these things, for me. I’m not about to do a complete 180 and throw my lot fully into AoS, especially because most of my gaming buddies are more 40k-centric. But I’m definitely leaning into the fantasy setting once again. And with stuff like Warcry and Warhammer Underworlds, it’s hard to stay away from the mortal realms!!

Age of Sigmar, too?

Well, that didn’t take long, did it?! I’d only talked about this on Monday, and two days later, I’m changing my plans! Well, kinda…

There’s been a bit of chatter going on around me recently as regards getting into Age of Sigmar, and James in particular has been off-and-on keen since getting the Slaves to Darkness box at Christmas. I already have an Ossiarch Bonereapers army of not insubstantial proportions, although I believe I may need more battle line units, but I’ll get to that in a bit.

However, I also have some Khorne Bloodbound models from a project that I had picked up just over twelve months ago, but was sort of abandoned when my second daughter was born.

I really enjoy the Khorne models for Age of Sigmar, I think it may have something to do with the nostalgia because they of course came out with the original AoS starter box, which was a glorious time in my memory… They do look great, though, particularly the Mortal units, like over-steroided barbarians. Glorious stuff!

I’ve talked about the Khorne models before, and it’s a project that I did make some efforts to start, but unfortunately stalled with. But now I’m really enthusiastic about getting an army underway! I’m not intending to go crazy with them, however. Famous last words, of course, but I’m in the process of thinning down the ranks, after all! I actually have quite a lot of models to start with, anyway, so it would be kinda redundant to just buy more when I’ve got so many. I’ve got the starter box, plus an additional box of the guys in armour (I think they’re called Blood Warriors?) so at this point I have quite a substantial force!

I have downloaded the rules for AoS 3, but I’ve not yet been able to really digest them. Army building is something that does confuse me a little, because I’m not sure how any of it works these days! I will definitely need to take a proper look at the rules, I think. If memory serves, though, you need two or three battleline units in the army, and certain things are made battleline when you take certain units… it’s all quite confusing to me, so I need to get a better understanding there.

I have plenty of AoS terrain, thanks to all the Warcry stuff, so I think when it comes down to it, actual games should be pretty good! Just need to arrange some dates, I guess!

Age of Sigmar will hopefully be coming to the blog again this summer though!!

Ghostbusters II: the board game

Following on from last week’s look at the two Ghostbusters games that were published by Cryptozoic, I have perhaps inevitably delved into the second box for today’s game day blog, as I’ve not yet tried this one out for size.

Ghostbusters II is all about slime, of course, and that’s no different here. The new game, and all of its expansions, all feature mood slime quite heavily, and that is, I think, the biggest difference between the two games. At their core, of course, they are the same game, but the second box has a number of additions that I thought I’d talk through today, as a sort of compare/contrast.

Slime is big, then, and this affects the game through Goo Piles – tokens that are placed on the board, and that need to be investigated throughout the course of the scenario. Each scenario has a Goo Timer along the bottom, which is basically the timer that ticks down each round as you can imagine. Investigating Goo Piles will increase the timer, however, buying you time to complete the scenario.

When you investigate the Goo Pile, you get to draw from the Goo Pile Deck – another new thing. This deck is mainly made up of cards that will instruct you to either draw from an event card pile, or an equipment card pile. Equipment is stuff that you can use, while Events are additional challenges to overcome.

There are new Ghost types in this game, called Plazms. These are denoted by pink miniatures, while the Ghosts are purple. Combat works the same as previously, in that you roll a d6 and compare it with the Entity’s to-hit value, then consult the card to see what happens if you hit or if you miss. The big, big switch up here though is that the Ghostbusters themselves now come in two varieties, regular proton packs, and the new slime blower version. Ghosts are not affected by slime, and Plazms are not affected by proton packs, so you need to plan accordingly! However, a character can spend an action to swap an adjacent buster’s pack between the two (or you can spend both action slots to do it for yourself).

Really, then, that’s all there is to it! We’ve got a raft of different ghosts, we’ve got goo and plazms, and we’ve got event and equipment cards. It does make for a bit more of a hectic experience, I think, but it’s still the same basic game underneath. Which is good, I think, because it means that you can throw the dice and have some fun, while playing as the iconic ghostbusters!

The Kickstarter version that I have does come with a bunch of extra stuff, but unlike the first game, this time a lot of the “base game” is actually really quite varied, and there isn’t a tremendous amount of “important” stuff left out this time. Of course, the deluxe edition does incorporate the Louis Tully expansion, which I’m not a huge fan of because I’m one of these people who prefers to keep things separate so that I know what I’m playing. It’s not a massive problem, but it niggles a little. The actual KS exclusives this time are some fairly niche additional ghostbusters from the Extreme Ghostbusters cartoon, which doesn’t seem particularly inspired, and sadly the KS campaign never made it to $850k to give us Dana Barrett, but she’s probably the only major movie character missing from both games.

Ghostbusters II is an interesting development from the first game, with some nice additions in the way that the event and equipment cards are implemented. With the added considerations of different entities needing different combat styles (proton vs slime), it definitely feels like the gameplay steps up. The fact that we have all the new ghosts, which include the Haunted Humans toy line, is just great, and definitely taps into the nostalgia factor for me.

It’s still a fairly light game, and with the timer element it can be over very quickly. If you like Ghostbusters, if you liked the first game, and/or if you’re a child of the 80s like me, then it’s all good really!